This story of man’s passage from religious or philosophical transcendentalism has been told many times, and, since it has usually been told as a story of progress, it is extremely difficult today to get people in any number to see contrary implications. Yet to establish the fact of decadence is the most pressing duty of our time because, until we have demonstrated that cultural decline is a historical fact—which can be established—and that modern man has about squandered his estate, we cannot combat those who have fallen prey to hysterical optimism.
Such is the task, and our most serious obstacle is that people traveling this downward path develop an insensibility which increases with their degradation. Loss is perceived most clearly at the beginning; after habit becomes implanted, one beholds the anomalous situation of apathy mounting as the moral crisis deepens. It is when the first faint warnings come that one has the best chance to save himself; and this, I suspect, explains why medieval thinkers were extremely agitated over questions which seem to us today without point or relevance. If one goes on, the monitory voices fade out, and it is not impossible for him to reach a state in which his entire moral orientation is lost. Thus in the face of the enormous brutality of our age we seem unable to make appropriate response to perversions of truth and acts of bestiality. Multiplying instances show complacency in the presence of contradiction which denies the heritage of Greece, and a callousness to suffering which denies the spirit of Christianity. Particularly since the great wars do we observe this insentience. We approach a condition in which we shall be amoral without the capacity to perceive it and degraded without means to measure our descent.
That is why, when we reflect upon the cataclysms of the age, we are chiefly impressed with the failure of men to rise to the challenge of them. In the past, great calamities have called forth, if not great virtues, at least heroic postures; but after the awful judgments pronounced against men and nations in recent decades, we detect notes of triviality and travesty. A strange disparity has developed between the drama of these actions and the conduct of the protagonists, and we have the feeling of watching actors who do not comprehend their roles.
Richard Weaver
Ideas have consequences
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