Maze and labyrinth - a significant difference

 Labyrinth walking has figured in rituals and religions from Iceland to Sri Lanka, from Tunisia to Sumatra, from India to Brazil.

In common parlance the words maze and labyrinth tend to be interchangeable – however, there’s a significant difference. Whereas a maze contains multiple paths and dead ends, and therefore many opportunities for getting lost, the labyrinth contains just one path. By taking it you inevitably get to the center. In a maze you encounter high walls or hedges that conceal the path and the pattern. Labyrinths generally have no walls, no concealment. They’re marked out on the ground in two dimensions, in earth, sand, or tile. If you chose, you could walk straight across to the center, avoiding the marked path completely, although naturally this is frowned upon by serious labyrinth walkers. Walking around a maze is a form of puzzle solving – walking around a labyrinth is a spiritual exercise. The notion that there’s only one true path is of course attractive to believers. You cannot get lost in a true labyrinth.

Virginia Westbury, author of Labyrinths: Ancient Paths of Wisdom and Peace, asked the many labyrinth walkers she encountered what they thought labyrinths were ‘for’. The replies she got included ‘meditation, celebration, spiritual connection, talking to God, talking to spirits, self-exploration, healing, sensing ‘energy’ wisdom, worship, divination, inner peace, forgiveness, transformation and communicating with others’. Is there nothing a labyrinth can’t do?

There are Christian labyrinths inside the French cathedrals of Chartres, Reims, and Amiens. The one at Chartres is the oldest, dating from the early thirteenth century. These are pavement labyrinths, set into the cathedral floors, and the original symbolic intentions have largely been lost. It seems they may have been as much concerned with seasonal rituals as with prayer walking, but we do know that in the eighteenth century pilgrims would walk around these labyrinths on bended knee while praying, as a penance.

There are currently a number of prisons in the United States that have installed labyrinths in their exercise yards. A few years ago the authorities at Monterey County Jail in Salinas, California, spent three thousand dollars on a portable version, a purple labyrinth painted on canvas, ninety feet across. It was unrolled from time to time and prisoners walked its path.

Prisoners reported feeling calm and at peace having walked it, though Cynthia Montague, one of the jail’s chaplains, reckoned its chief function was metaphoric. The labyrinth walk was about getting and staying on track, returning to the narrow if not the straight. Montague said, ‘If you accidentally step off the path and go onto a different part of the path, you might find yourself heading back out. But you’re allowed to start over again and keep at it’.

The most famous of all labyrinth walkers must surely be Theseus, who walked into the labyrinth in Crete to slay the minotaur. In order to avoid getting lost he used Ariadne’s ball of golden thread to trace his steps. This means, of course, that he was actually in a maze rather than a true labyrinth.

Instead of a golden thread, Hansel and Gretel tried leaving a trail of bread crumbs to stop themselves from getting lost, although you could argue that they were not so much lost as abandoned by their father. And in fact they did perform considerable walking feats. The Grimms’ fairy tale has them dumped in the middle of the forest and then ‘walking all day and all night’ to get home.

From: Geoff Nicholson

The Lost Art of Walking

The History, Science, Philosophy, and Literature of Pedestrianism