TAVISTOCK BEATLES?

 

Eleanor Rigby

Ah, look at all the lonely people!
Ah, look at all the lonely people!

Eleanor Rigby picks up the rice in the church where a wedding has been,
Lives in a dream.
Waits at the window, wearing the face that she keeps in a jar by the door,
Who is it for?

All the lonely people,
Where do they all come from?
All the lonely people,
Where do they all belong?

Father McKenzie writing the words of a sermon that no one will hear,
No one comes near.
Look at him working, darning his socks in the night when there's nobody there,
What does he care?

All the lonely people,
Where do they all come from?
All the lonely people,
Where do they all belong?

Ah, look at all the lonely people!
Ah, look at all the lonely people!

Eleanor Rigby, died in the church and was buried along with her name,
Nobody came.
Father McKenzie, wiping the dirt from his hands as he walks from the grave,
No one was saved.

All the lonely people,
Where do they all come from?
All the lonely people,
Where do they all belong?
**
Nowhere Man

He's a real Nowhere Man,
Sitting in his Nowhere Land,
Making all his Nowhere plans for nobody.
Doesn't have a point of view,
Knows not where he's going to,
Isn't he a bit like you and me?
Nowhere man please listen,
You don't know what you're missing,
Nowhere Man, the world is at your command.
La, la, la, la,
He's as blind as he can be,
Just sees what he wants to see,
Nowhere Man can you see me at all?
Nowhere Man don't worry,
Take your time, don't hurry,
Leave it all till somebody else,
Lends you a hand.
Doesn't have a point of view,
Knows not where he's going to,
Isn't he a bit like you and me?
Nowhere Man please listen,
You don't know what you're missing,
Nowhere Man, the world is at your command.
La, la, la, la,
He's a real Nowhere Man,
Sitting in his Nowhere Land,
Making all his Nowhere plans for nobody.
Making all his Nowhere plans for nobody.
Making all his Nowhere plans for nobody.
***

Hey, Hey, We’re the Beatles
Guest Post by Patrick O’Carroll

NOTE FROM JAMES PERLOFF—When I was a freshman at Colby College (1969-70), a friend in my dorm called me to his room. He had a lot of sound equipment. He played one of the Beatles’ albums backward. You could pretty distinctly hear a voice repeating “Paul is dead.” This was something of a rumor in those days, but we had no way to check into it (no Internet then). In my 2013 book Truth Is a Lonely Warrior, I briefly wrote (based mostly on Dr. John Coleman’s work) about the Beatles having most of their music written for them by the Tavistock Institute and how so many of the “screaming girls” had been hired. Then, about two weeks ago, my friend Patrick O’Carroll sent me an email. Drawing largely on the work of Mike Williams, it fleshed out many details of how the Beatles were orchestrated, and affirmed the 1966 death of the original Paul McCartney. I thought it was significant, and asked  Patrick if I could publish it as a guest post. (For younger readers who might not get the title of Patrick’s post, it lampoons the song “Hey, Hey, We’re the Monkees.” The Monkees were an artificially created rock band who were notorious for neither writing their songs nor playing the instruments on their pop hits.)  Patrick can be reached at tequila.mockingbird@gmx.ch, and Mike Williams’ website is http://sageofquay.com/.
For those who would like to see how things were comparably falsified in the American music scene during the sixties and seventies, I recommend Weird Scenes Inside the Canyon by the late Dave McGowan, who demonstrated the orchestrated success of many bands, and their surprising connections to U.S. military and intelligence services.

From the article:

The purpose of the TAVISTOCK BEATLES was to exacerbate the “generation gap” that the Frankfurt School of Cultural Marxism had already launched in the USA, Britain and Continental Europe in the 1950s. The traditional Christian family was to become “old hat.” Their idea was that “old” yet healthy ideas must be presented to the next generation as “square,” like starting a family or living as people had lived for centuries. Any “old fogies” who opposed Tavistock’s Cultural Marxism would then be ridiculed as “fuddy-duddies” or “no longer with it.” This continued until 2020 with every new wave trend that came after the TAVISTOCK BEATLES repeating the same pattern. That also explains why Tavistock and British intelligence were willing to pay a fortune to manufacture the TAVISTOCK BEATLES, to pay for airtime in the world’s Tell-Lie-Vision networks, and to even report on the wholly manufactured, artificial Tavistock opinions, slogans and statements pronounced by the band’s members, or on press conferences they gave, and to pay inordinate regard to these as the “official opinions of youth,” although totally made-up. It was the most unparalleled Psychological Operation (PSYOP) ever seen.

https://jamesperloff.net/hey-hey-were-the-beatles/