To be is to be contingent: nothing of which it can be said that "it is" can be alone and independent. But being is a member of paticca-samuppada as arising which contains ignorance. Being is only invertible by ignorance.

Destruction of ignorance destroys the illusion of being. When ignorance is no more, than consciousness no longer can attribute being (pahoti) at all. But that is not all for when consciousness is predicated of one who has no ignorance than it is no more indicatable (as it was indicated in M Sutta 22)

Nanamoli Thera

Thursday, October 15, 2026

No writing about the Desert Fathers is as compelling as the apophthegmata themselves.

 There were also divisions among Christians over the question of poverty. Christ’s message was undeniably focused on the poor, and many Christians of the apostolic age had sold their worldly goods and lived in communities awaiting the second coming. But, as the generations passed after his crucifixion, they found it increasingly hard to live in daily expectation of his arrival on clouds of glory and Christians came to accept that they had to settle down to a possibly long period of coexistence with the world. So there had to be accommodations to its ways. During the second and third centuries the early Churches came to acknowledge legitimate wealth, power, even luxury as not necessarily being contrary to their faith. Some individual Christians were not prepared to make such accommodations. They seperated themselves from society and became solitaries.

They were the outsiders. They provoked the hostility and resentment of their contemporaries and the satirical malice of historians. They inspired some of the finest invective of Edward Gibbon:

… the Ascetics, who obeyed and abused the rigid precepts of the Gospel, were inspired by the savage enthusiasm which represents man as a criminal and God as a tyrant. They seriously renounced the business and the pleasures of the age; abjured the use of wine, of flesh and of marriage; chastised their body, mortified their affections, and embraced a life of misery, as the price of eternal happiness.4

When, almost sixty years ago, Helen Waddell introduced the writings of the Desert Fathers to the twentieth century, she referred to the ‘slow-dropping malice of Gibbon’ in his account of their effect on civilisation and went on to quote ‘the more humane distress of Lecky’:

There is perhaps no phase in the moral history of mankind of a deeper or more painful interest than this ascetic epidemic. A hideous, distorted and emaciated maniac, without knowledge, without patriotism, without natural affection, spending his life in a long routine of useless and atrocious self-torture and quailing before the ghastly phantoms of his delirious brain, had become the ideal of the nations which had known the writings of Plato and Cicero and the lives of Socrates and Cato.5William Edward Hartpole Lecky (1838–1903) was an Irish historian and philosopher who wrote a History of Rationalism, published in 1865. A lover of civilised values and champion of eighteenth-century rationalism, Lecky was offended by the rejection of the social and philosophical priorities of the Age of Reason. He was, as we shall see, an inaccurate and unintentially comic observer of the Desert Fathers.6

As for Gibbon, whose distinction as a writer of ancient history is unassailable, it may be fairly observed that he was temperamentally antipathetic to asceticism: he detested enthusiasm in any context; he was fond of good food, wine and fine clothes. Towards those who rejected the tangible pleasures of the flesh in favour of the insubstantial searchings of the spirit, he was simply uncomprehending. But the case he makes, that the Desert Fathers tortured themselves in this life in order to win a comfortable billet in the next, has been widely accepted as a true analysis of Christian asceticism and deserves an answer.

There were, of course, the extremists. We shall come across stories of them trying to outdo each other in discomfort and deprivation. But there are as many stories cautioning against heroic austerities as there are celebrating them. And the historian Palladius, ‘a faithful Boswell to the more austere saints and a whole-hearted admirer of virtues not his own’,7 who records them was more a teller of tales than a careful scholar. It is significant that Simon Stylites, so often the exemplar of historians who dismiss the Desert Fathers as half-crazed fanatics, was expelled from his monastery for excessive austerities, found distasteful by his contemporaries among the monks, and only acquired a reputation in the modern age through the contempt of Gibbon.

There is no doubt that the hermits chose a life of solitude and hardship because they believed it would help their spiritual progress. The ultimate aim of that progress was the salvation of their souls, and a frequent question from the monk to the elder was ‘What must I do to be saved?’ It is in this question that we most frequently misunderstand them. We are all heirs to Gibbon in our tendency to think that this question means ‘What shall I do now to be saved after death?’ But the soteria, the ‘salvation’, the monks are seeking is not a secure place in an eternity of heavenly bliss which begins when they die. It is, first of all, a state which begins in the present life and continues uninterrupted by death. When a man meets God it is at the point where eternity intersects with time, and, for these Christians, the awakening of the divine in man places him on the plane of eternity.

Secondly, this activation, through the grace of God, of man’s divine spark steers him towards perfection – in the Greek sense of completion or the achievement of his natural end. This is the ‘salvation’ which the hermits seek. It signifies, here and now, integrity, health, freedom from fault and illness. So to be ‘saved’ is not just to escape hell – it is to escape, in this life, everything that leads to hell: sin, the devil and the ‘world’ in the biblical sense. Salvation is at the same time eternal happiness and a state of peace and well-being in the present world through the health of the soul.

This is why the hermits’ apophthegmata – the stories of the Desert Fathers’ deeds and sayings – can speak so movingly to us today down the centuries and across such a wide cultural gap. They deal with essentially human virtues and follies. Paradoxically, these men and women who fled from human society developed, in their solitude, a uniquely subtle awareness of human psychology. They lay bare the self-deceptions we all practise. They teach us why it is important to be self-aware and how we can come to know ourselves. The sins they struggle against are the thoughts and deeds that undermine human integrity, and the methods they use in the fight are ones which can lead us all to spiritual and psychological health.

Although their spiritual experiences were frequently intense, the Fathers were reticent about them. The stories we read are more to do with how they should treat each other. Helen Waddell writes: ‘Of the depth of their spiritual experience they had little to say: but their every action showed a standard of values that turns the world upside down. It was their humility, their gentleness, their heartbreaking courtesy that was the seal of their sanctity to their contemporaries, far beyond abstinence, or miracle, or sign.’8

Their lives, though for the most part conducted in isolation, were remarkably similar in domestic conditions. The hermitage would be a hut of stone with a roof made from branches. It had a door which could be closed and locked, for we often read of visitors knocking there. Inside was a reed stool on which to sit when working, a reed mat on which to sleep, and a sheepskin. This last item seems to have been the only one which a hermit would carry away if changing locations. In fact some of the stories mention that a hermit took up his sheepskin and left the cell to indicate that the move was a permanent one. There was a lamp or candlestick, a jar of oil for the lamp and one of wine for visitors. There would also be another jar of brackish water for the hermit to drink and in which to steep the palm leaves to soften them for working. The preserved food would be dried peas and lentils, and these, after soaking, could be cooked and seasoned with herbs from an outside garden.

In these conditions men and women lived in solitude for many years, sometimes in groups whose caves were separate but within easy walking distance of each other, meeting for a liturgy on Sundays but otherwise seeing only the occasional visitor or young monk in search of the Way. Some built up a reputation for their austerities; others inspired followers through their wisdom. The latter were called ‘abbas’, a world close to the Hebrew ‘rabbi’ or teacher. Antony was the most famous, largely because of the widely popular Life, written in Greek and acclaimed as the work of St Athanasius. There were others whose words we shall meet below. Arsenius, born in Rome of a noble family, who held high office at the imperial court in Constantinople before fleeing the world in AD 394 was said to have worn the most splendid clothes in the court and the vilest in the desert. Moses, in contrast, was a black slave who became a monk and retired to the desert near Petra in 475. Of John Colobus little is known except that he was a dwarf; and Poemen’s identity is obscured by the fact that, as almost three hundred stories survive with his name attached, that name must refer to at least two different Fathers. The conditions of the desert were so harsh and dangerous that women could hardly survive there, but Theodora lived in solitude as a monk for many years and was only discovered to be a woman after her death, when her body was being prepared for burial.

Most of the Desert Fathers are known only from the apophthegmata about them which have survived. These stories of how they dealt with each other and the problems they faced have come down to us with all the unvarnished directness of camp-fire tales. They are not carefully edited illustrations of some overarching theory about the human condition. They often seem inconsistent and contradictory, because, as the Fathers always insisted, the advice they gave was always to a particular individual facing a unique situation. It was never intended to have a universal application. And yet the human condition brings us all into situations that echo each other and we can draw profit from a wisdom that throws light on our own.

No writing about the Desert Fathers is as compelling as the apophthegmata themselves. These were written down towards the end of the fourth century and they form, for all their fragmentary and episodic qualities, the most ancient and valuable record of early Christian monasticism. By the fifth century, they had already begun to be collected in two different ways: by author and by topic. Since we know little of the authors, it seemed preferable to select and present them here in groups which deal with the subjects of greatest importance to the Fathers and to ourselves. I have translated them as directly and simply as I could,9 trying to preserve their effect, which has been described as ‘like the flash of a signalling lamp – brief, arresting and intense’.10It is an effect which can, it seems, have revolutionary and far-reaching effects on those exposed to the Desert Fathers. Palladius, whose account is the most important source document for their history,11 prefaces it with a prayer the present reader may like to bear in mind:

May this account, then, be a sacred reminder for the good of your soul and a constant medicine against forgetfulness. May it dispel the drowsiness that arises from senseless desire, indecision, and pettyness in necessary affairs. May it free your character of hesitation and meanness of spirit. May it rid you of excitability, disorders, worldly conceit, and irrational fear. May it improve your never-failing desire and your pious intention, and may it be a guide both to you and to those who are with you, not only your subordinates but your rulers as well.

Solitude

For the Desert Fathers, solitude was not merely an escape from distractions; it was a teaching presence. To remain silent and alone is to be open to influences that are crowded out of an occupied life. These influences, some felt, were enough to bring about spiritual health. We may well have a duty to our fellow human beings, and good works are praiseworthy; but self-knowledge can only come through solitude.

There is a story of three ascetics who became monks. One gave himself the task of reconciling enemies according to the words ‘Blessed are the Peacemakers’; another committed himself to visiting the sick; and the third went off to the desert. The first wore himself out trying to keep men from fighting each other and, disillusioned, went to visit the one who cared for the sick. He found that he too had become discouraged by the unending task and was ready to give it up. So they went to the desert to see how the third was getting on. They told him their problems and asked if he had made any progress. He was silent for a moment and then poured some water into a vase and said: ‘Just look at this water’. They did, and it was murky. A little later he said to them: ‘See now how the water is cleared’. And they could see their faces in it like a mirror. And he said to them: ‘This is like the man who lives among other men and because of their turbulence cannot see his own sins, yet when he lives alone, especially in the desert, he can see his failings.’

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A brother came to Scete to ask for a word from Abbas Moses. He said: ‘Go and stay in your cell; your cell will teach you everything.’

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A brother asked Abbas Hierax: ‘How shall I be saved?’ The Abbas said: ‘Stay seated in your cell. If you are hungry, eat. If you are thirsty, drink. Do not speak ill of anyone and you will be saved.’

*

An abbas said one day to Abbas Ammonas: ‘I am troubled because I can’t make up my mind between three ideas: to wander in the deserts, to set out for a foreign land where nobody knows me, or to shut myself up in a cell without seeing anybody and only eating on alternate days.’ The Abbas replied: ‘None of the three is right for you. Just sit in your cell and eat a little every day and keep continually in your heart the words of the publican12 and you will be saved.’

*

Abbas Moses said: ‘The man who flees man is like a ripe grape, the one who lives among men is like a green grape’.

But to flee from society in order to escape its problems is not the solution. Solitude is not for the simply unsociable:

Abbas Lucius once said to Abbas Longin: ‘If you haven’t first conducted yourself well among men, you won’t conduct yourself well in solitude’.

*

An abbas said: “It is better to live among the crowd and keep a solitary life in your spirit than to live alone with your heart in the crowd’.

Sometimes, in spite of all his efforts, the fame of a solitary would make him attractive to the rich and famous. Then extreme steps had to be taken:

A nobleman came one day to see Abbas Simon. Hearing of his approach, the hermit girded himself and went out to prune a palm tree. As the party arrived, they shouted: ‘Old man, where is the anchorite?’ He answered: ‘There’s no anchorite here’. So they went away.

*

Another time, another nobleman came to see him. The servants came before and said to the abbas: ‘Abbas, get ready, the nobleman, who has heard of you, comes for your blessing.’ And he said: ‘Yes, I’ll get ready’. He put on his patched garment and, taking bread and cheese in his hands, sat at the entrance enthusiastically eating. When the nobleman arrived with his train, he scorned him, saying: ‘Is this the anchorite we’ve heard of?’ And they turned and went back home.

*

The local Governor heard one day about Abbas Moses and came to Scete to see him. Somebody told the Abbas so he fled into the marsh. Now the Governor and his party came across him there and asked him: ‘Tell us, old man, where is the cell of Abbas Moses?’ And he said: ‘What do you want with him? He’s a madman’. So the Governor left. Later he went to the brothers and told them what had happened and they asked him what this man was like. When he replied that he was scruffy, large and black, they told him who it was: the Abbas Moses.

*

The blessed Archbishop Theophilus came to see Abbas Arsenius once with a nobleman and asked the Abbas for a word of profit. After remaining silent for a time, the Abbas asked him: ‘And if I give you one, will you keep it?’ They promised to keep it. Then the Abbas said to them: ‘Wherever you hear that Arsenius is – stay away’.

*

One of the Fathers came to visit Abbas Arsenius and as soon as he knocked at the door the Abbas opened, thinking it was one of the servants. When he saw it was somebody else, he threw himself on his face on the ground. The visitor said: ‘Get up, Abbas, so that I may greet you’, but the Abbas lay on the ground and replied: ‘I shan’t get up till you have gone away’. After having entreated him for a long time the visitor left and he got up.

Part of the authority of the hermit issues from his situation as a separate and uninvolved individual outside the boundaries of society. He is aware of, but not swayed by, the pressures that shape the lives of others. He is the outsider – the stranger. So he can arbitrate in situations where disputing parties are looking for impartiality. This was not, of course, an authority the hermits sought; it became an embarrasment to them and many had to uproot themselves to escape the demands for them to act as judge in the lives of others. But the need to live as a stranger was often stressed:

Abbas Poemen said: ‘If a monk masters his belly and his tongue and lives the life of a stranger, you can be confident – he will not die’.

*

Somebody said to Abbas Pistos: ‘Father, what does it mean, to live as a stranger?’ And he said: ‘Be silent and say that you have no right to speak about anything. That is to live as a stranger’.

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A brother asked Abbas Poemen: ‘How should I be in the place where I live?’ The Abbas said: ‘Have the mentality of a stranger in the place where you live so you don’t too readily express your opinions and you will be at peace’.

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One day Abbas Longin asked for the view of Abbas Lucius on his thoughts, saying: ‘I want to live as a stranger’. The old man said to him: ‘If you don’t master your tongue you’ll never be a stranger no matter where you go. Simply master your tongue and you are a stranger.’

The main characteristic of the stranger, it seems, was the refusal to comment. The Fathers felt that words had great power for good or evil and should be used with care:

Abbas Macarius used to say that a bad word will make even a good person bad but a good word will make even a bad person good.

*

A brother told Abbas Sisoes: ‘I want to control my heart but I can’t.’ The Abbas replied: ‘How can we control our hearts when we keep open the door of our mouths?’

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Abbas Diadochus said: ‘Just as if you leave open the door of the public baths the steam escapes and their virtue is lost, so the virtue of the person who talks a lot escapes the open doors of the voice. This is why silence is a good thing; it is nothing less than the mother of wise thoughts.’

Silence could communicate. One of the stories of Antony is that he was visited by three brothers over a period of years. Two of them constantly asked him for his advice and for the words that could save their souls. The third remained silent until, one day, Antony asked him if he had not anything to ask. He replied: ‘It is enough for me that I am with you, Father’. This communication simply through a presence rather than speech is at the heart of the Orthodox tradition.

Theophile the Archbishop went one day to Scete and the brothers asked Abbas Pambo: ‘Say a word to the Father so that he can be edified’. The old man said to them: ‘If he is not edified by my silence, he will not be edified by my words’.

*

Abbas Isaias said: ‘Love to be silent rather than to speak. For silence heaps up treasure, while speaking always scatters’.

Asceticism

This is the most misunderstood aspect of the lives of the Desert Fathers, contrasting as it does with the classical ideal of a sane mind in a healthy body. Self-inflicted pain seems to us the sure sign of a sick mind, and, carried to extremes, can lead to the twisted and emaciated forms in which it became the tradition for artists to portray the hermits. There were indeed many such, and they drove themselves to extremities in an unhealthy spirit of competition which led them to outdo each other in austerities.

But too often the perversions and exaggerations of asceticism are taken as the norm for which that much abused word more properly stands. The Russian mystic Vladimir Soloviev wrote: ‘If the suppression of the flesh is taken not as a means for good or evil but as an end in itself, we get a pecular kind of false asceticism which identifies flesh with the physical body and considers every bodily torment a virtue. Although this false asceticism of self-laceration has no evil purpose to begin with, in its further development it easily becomes an evil: it either proves to be a slow suicide or becomes a peculiar kind of sensuality.’13The Desert Fathers were not exempt from this behaviour but, as we shall see, they recognised and condemned it. The story below of Abbas Macarius shaming the austere monks of Tabennisi is a famous example. But there remains the puzzling fact that there are sayings from the Fathers which claim that good health is not so much a condition of spiritual development as a threat to it. This can only be understood in the light of their insistence that we all need to recognise our state of dependence. The human being who exults in good health and possesses a hearty appetite and a good digestion is liable to slide into the error of feeling himself or herself to be self-sufficient. This shuts the door to spiritual progress. A sharp reminder of our vulnerability to the pangs of hunger, the ache of sleeplessness, the nagging urge for sex, brings us back to a condition from which we can start to advance.

Abbas Daniel said: ‘To the same degree that the body flourishes, the soul vegetates; as the body vegetates, so the soul flourishes’.

*

One day the brothers came together at Abbas Joseph’s hermitage. He was particularly ebullient and full of fervour and he said: ‘Today I am King because I rule over my passions’.

*

A brother came to Abbas Macarius one day and asked how he could be saved and the Abbas told him to go to the burial ground and insult the dead. So he did so, hurling insults and stones at the graves. When he got back, Macarius asked him if they had responded and the brother said they had said nothing so Macarius told him to go and praise the dead. He went to the burial ground and sang the praises of the men buried there. When he reported back, Macarius asked how the dead had taken his congratulations and the brother replied that they had said nothing. So the Abbas said: ‘You know all those insults you hurled at them and they said nothing and all the praises you heaped on them and they said nothing; you also, if you want to be saved – be a dead man, taking no notice either of the injustice of men or of their praises. Behave like the dead and you will be saved.’

*

The great Abbas Macarius was unsurpassed in his austerities. Palladius tells the story of his setting out one day to visit the monastery of Tabennisi because he had heard of the strict life led by the monks there. He put on the old clothes of a labourer and asked to see the Abbot, Pachomius. ‘I beg you to receive me into your hermitage’, he said, ‘that I may become a monk.’ But Pachomius replied that he was obviously an old man unused to the ascetic life and that the severe austerities of the brethren would be beyond him. For seven days Macarius pleaded to be allowed to try and was finally admitted on condition that he would be expelled should he not be able to put up with the hard life.

There were then fourteen hundred brethren in the monastery and Macarius studied their different kinds of asceticism. One ate only every evening, another every other day and yet another every five days. One would remain standing all night and sit down only by day. Just before Lent began, Macarius collected a heap of moistened palm leaves and stood in a corner plaiting them day and night for the forty days until Easter. He ate no bread and drank no water and remained standing for this time, neither speaking nor sleeping, only munching a few cabbage leaves on Sundays to give the appearance of eating.

The brethren were very put out that this strange old man could do without more things for longer than they were able and they sent a deputation to the Abbot to demand that this ‘bodiless man’ whose practices put them to shame should be expelled from the monastery – either he must go or they would.

But God revealed to Abbot Pachomius the identity of his guest and he took Macarius into his oratory and greeted him: ‘I am grateful to you for having given this lesson to my children so they might not become haughty about their own ascetic practices.’ Then he asked Macarius to return to his own hermitage.

*

Abbas Poemen said: ‘Just as smoke chases away bees and then all the sweetness of their labours is spoiled, so corporal well-being chases the fear of God from the soul and so all its good activities are lost’.

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He said again: ‘If the monk detests two things, he can become freed from worldly ties’. And the brother asked: ‘What are they?’ He replied: ‘Corporal well-being and vain glory’.

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Another abbas called on one of the Fathers who had just cooked a few lentils. He said: ‘Let’s just say a little office’. And he went through the whole psalter. Then the other recited all of the two great prophets. And, as morning came, they forgot to eat and the abbas went away.

Sex

It is surprising, given the priority, power and urgency with which we have invested the sexual appetite, that its problems were not a major preoccupation with the Desert Fathers. They had to go without it and we are constantly being told that repression is a bad thing and that sex, like steam, builds up a head if it can’t find an outlet. Perhaps one explanation is that their sexual appetites were suppressed rather than repressed. That is, the Fathers confessed their carnal thoughts to each other rather than pretending they didn’t have any.

There are relatively few apophthegmata which deal with sexual problems. This cannot have been due to embarrassment or censorship, because the few stories that treat of sexual desire do so without a hint of reticence:

A monk struggled at Scete because the enemy put into his mind the thoughts of a very beautiful woman he lusted after. Another brother arrived in Scete from Egypt and told him that she had died. He took his tunic and, at night, went and opened her tomb, dried the pus from her corpse with his tunic and returned to his cell. He kept the smell close to him and said to himself: ‘This is what you lust after – take your fill’. And he remained with the stench until the struggle ceased.

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A monk was travelling with his old mother when they came to a river which the old woman could not get across. So he wrapped up his hands and carried her across. She asked why he wrapped his hands, and he told her: ‘The female body is a fire which reminds us of other female bodies – that’s why’.

*

In lower Egypt there was an anchorite who was very famous for his austere way of life. He lived alone in a cell in the desert. Incited by Satan, a certain shameless woman said to the young men of the district, who were jealous of him: ‘What will you give me if I cause your anchorite to fall?’ They promised her a magnificent recompense. She set out in the evening and came to his cell as if she was lost. She knocked and he came out. He saw her and was troubled. ‘Why did you come here?’ She said: ‘Because I am lost’. And he was full of compassion and brought her into the courtyard and then went into his cell and closed the door. She cried out and said: ‘Abbas, the wild beasts will eat me’. He was moved and, fearing the judgment of God, said: ‘Why am I so angry and so hard?’ And he asked her in.

Then the Devil tempted him and he, knowing what was happening, said: ‘The footpaths of the Enemy are in darkness and the Son of God is Light.’ So he got up and lit the lamp. Then, as the desire mounted in him, he said: ‘Those who do such things go to torment: so try if you can stand eternal fire’. And he put a finger into the flame and burned it. But his passion was so great that he could not feel the fire as it burned his flesh. He carried on doing this until daybreak and burned all his fingers completely away. Then the unhappy woman, seeing what he had done, was terrified and died of fright.

When the young men came to ask for her they found her dead. But the anchorite revived her and she lived chaste ever after.

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A monk met some nuns on a road and dashed off to one side. As they passed, the mother superior said: ‘If you were a perfect monk, you would not have noticed that we were female.’

There is, perhaps, a clue in the following story as to why sexual frustration was less of a problem to the hermits than we might have expected:

A brother asked an abbas how he coped with the sensual thoughts that torment the monk and the abbas said: ‘Since I’ve been a monk, I’ve never had my fill of bread nor of water nor of sleep and these privations caused me so much suffering that they didn’t leave space for the thoughts that trouble you’.

Similar experiences have been reported by the male victims of the concentration camps during the last war, who said they were always too hungry to think about sex.

Fasting

The Fathers had a clear idea of the virtues of fasting and a genuine distrust both of excess and of regarding the practice as an end in itself. They did not deprive themselves of food and drink because they thought either to be impure. Both are gifts from God and to be enjoyed as such. But the appetites of the body are disordered and their constant demands are a distraction. So they have to be held in check and ordered by self-denial. To hold back from eating our fill reminds us that we are dependent; to sit down to three square meals a day can produce the illusion of self-sufficiency: ‘… give me neither poverty nor riches; feed me with food convenient for me: Lest I be full and deny thee, and say “Who is the Lord?”’14Abbas John Colobus said: ‘If a king wants to get possession of an enemy town, he first gets his hands on the water supply and the food and so the enemies, dying of hunger, surrender to him. It is the same with the passions of the flesh: if a man lives in fasting and hunger, the passions surrender and have no strength against his soul.’

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The abbot of a monastery asked Poemen: ‘How can I acquire the fear of God?’ Abbas Poemen answered: ‘How can we acquire the fear of God when we have inside here skins full of cheeses and pots full of salted meats?’

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Abbas Poemen said: ‘You can’t humble the soul if you don’t ration the bread’.

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An abbas said: ‘He who can master his belly can also master impurity and his tongue’.

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A brother asked Abbas Tithoes: ‘How can I control my heart?’ And he replied: ‘How can we control our hearts when our tongues and our stomachs are open?’

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Hyperechios said: ‘Fasting is the rein for the monk against sin: when he rejects it he becomes again a stallion in rut’. He also said: ‘The monk’s fast dries up the streams of voluptuousness’.

Poverty

In one of the most striking images in the Bible Jesus told his disciples that it is easier for a camel to pass through the eye of a needle than for the rich young man, whom he loved, to enter the kingdom of God.15 This was not because the man was comfortably off with his worldly goods but because he refused the invitation to part with them. If possession without attachment were possible, then possession would not be a bar to spiritual growth. But the early Christians recognised that the human condition is such that, for most people, to possess goods is to be in some measure possessed by them. Those who fled to the desert recognised that the desire to possess, which they called the sin of avarice, was a strong tie to the world they were trying to escape. The remedy was poverty. And that poverty had to be absolute.

Abbas Evagrius said: ‘A brother who had nothing else but a copy of the Gospels sold it to feed the poor, saying: “I have sold the word that tells me to sell what I have and give to the poor”.’

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A great personage came from abroad to Scete carrying with him a lot of gold and he asked the abbas if he could give it to the brothers. The abbas said: ‘The brothers don’t need it’. As the other insisted, he placed a basket full of gold at the door of the church and said: ‘Anybody who needs it – take some’. Nobody did. So the abbas told the stranger to take it away to give to the poor.

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Some brigands came one day to the hermitage of an abbas and they said to him: ‘We have come to take everything in your cell’. He said to them: ‘My children, take everything you like’. So they took everything in the cell and left. But they forgot a little tool-bag that was hanging on the wall so he ran after them, calling: ‘My children take what you have forgotten from the cell’. And they were full of admiration for his resignation so they put everything back and did penitence and said to each other: ‘Truly this is a man of God’.

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One day the Abbas Euprepios gave a helping hand to some robbers who stripped his cell. After they had taken everything he had, he saw a stick which they had left behind. He was upset at this and ran after them to give it to them. But they refused to take it, fearing that something might happen to them. So Euprepios asked some people he met on the road to take it to them as they were going the same way.

Obedience

Although these hermits were often beyond the exercise of the Church’s formal structures of authority, they did not think of themselves as individuals each pursuing his own spiritual path as he thought fit. They accepted the guidance of a spiritual father. And the acceptance was total. This was partly because of the clear benefits to be gained from an experienced guide but it was also because obedience was seen as, in itself, a virtue. Its power for good consisted in the fact that obedience negates the will. Fasting and other ascetic practices are pursued in accordance with the will and can so lead to pride; obedience always engenders humility.

St Antony said: ‘Submission and temperance break in the wild horse’.

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John Colobus stayed with an abbas at Scete who planted a dry stick and told him: ‘Water it every day with a bottle of water until it produces fruit’. Now the water was so far away that if you left in the evening to fetch it you didn’t return until dawn. After three years the stick came alive and produced fruit. Then the abbas took the fruit to the church and said to the brothers: ‘Come and eat the fruit of obedience’.

*

They said of John, a disciple of Abbas Paul, that he had a great obedience. In a certain place of tombs a hyena had its lair. The abbas, having seen its dung, told John to bring it to him. He said ‘But what shall I do, Father, with the hyena?’ The abbas said jokingly: ‘If it attacks you, tie it up and bring it here’. That evening the brother went to the place and the hyena attacked him. He tried to catch it but it ran away and following the word of the abbas he gave chase. Having caught her, he bound her up. Meanwhile the abbas was worried about him but he arrived with the trussed-up hyena. The abbas was filled with admiration but, wishing to humiliate him, said: ‘Idiot! That’s not a hyena you have there – it’s just a stupid dog.’ And he untied it and let it go.

Vanity

In our own time, the terms ‘vanity’ and ‘pride’ have become synonymous and we have few problems in recognising them both – so long as they are palpable in somebody else. But the Fathers made an important distinction between pride, the first of the deadly sins and cause of the fall of the angels, and vanity, which is simply the desire for the praise of others. Vanity promotes ostentation; pride, which is more insidious, can make a person indifferent to the impression he makes on others. So vanity is easily spotted; pride often lurks beneath a show of humility and piety.

Abbas Silouan said: ‘Woe to the man whose fame is bigger than his works!’

*

Abbas Nestorius was walking with a brother one day in the desert when they came across a serpent. They fled from it. The brother was surprised at this and said to him: ‘Father, were you, too, afraid?’ The old man replied:’ I am not afraid but yet it was useful to me to flee because if I had not I should not have escaped the spirit of vanity.’

There is a story in the collection of anonymous apophthegmata illustrating the dangers of vanity and reflecting, perhaps, the risks to which those appointed to lead the most famous and successful monasteries have always been exposed:

An abbot, head of two hundred monks, had a great reputation in the world and Christ decided to visit him. He approached the porter in the guise of an old and poor man and asked for an audience. The abbot was in conversation when the porter approached him and said he was too busy to see the old man. So Christ waited patiently at the door. At about five o’clock in the afternoon, a rich man arrived and the porter hastened to announce him. The abbot came to the door to greet him and Christ humbly approached saying: ‘I wish to speak with you, Father Abbot.’ But the abbot did not even reply, but pushed the old man aside and ushered in the rich man to a welcoming feast.

After the meal, the abbot escorted his visitor to the gate and said his farewell then turned and went back inside, forgetting the patient old man who stood there waiting to speak with him.

As night fell, Christ showed himself to the porter and said: ‘Say to the abbot: “If you want worldly glory, then because of your past good deeds and the way you have lived I will send to you visitors from the four corners of the earth to flatter and be flattered by you. But as for the riches of my kingdom, you shall not taste them.”’

Pride

Pride, which is far more subtle than vanity, can easily be engendered by the practice of virtue. It creeps into the soul of the righteous person who feels the first twinge of satisfaction in having behaved well. And the Desert Fathers were well aware of its subtleties:

Isidorus the Preacher said: ‘If you practise your asceticism according to the rules, be careful, when you are fasting, not to get above yourself. If you find yourself feeling proud of your self-denial – eat meat immediately. It is far better to eat meat than to have inflated ideas about yourself.’

*

A brother had lived for many years outside his village and never visited it. He said one day to the brothers: ‘I haven’t been to the village for many years but you – you’re always going there’. The brothers told Abbas Poemen this and he said: ‘Me, I’d have dashed over there at night and walked all around the place rather than letting myself feel proud of not going there’.

Humility

The defence against both vanity and pride is humility. Indeed the Desert Fathers thought of humility as the defence against all the sins and root of all the virtues. This may seem unremarkable. Most of the great religions seem to point to the need for checks on our natural urge to self-aggrandisement for the sake of our souls. Even the secular humanism of Western civilisation today teaches us to restrain our natural aggression for the common good. The British, for example, have made an elaborate code of self-restraint which they call ‘manners’, a feature, perhaps even a fetish, of their educational system. ‘Manners’ involve a ritual humility; the true gentleman is one who never makes his subordinates aware of their inferiority; and the British Empire, it has been said, was the historical enactment of the biblical teaching that the meek shall inherit the earth.

But the social humility which we have come to accept as a sign of good breeding is not that of the Desert Fathers. Our virtue consists in not making evident a superiority of birth, education or income. Its essence is that those who know themselves to be superior should be at some pains to disguise the fact.

The humility of the Desert Fathers was more deep-seated. For them the first internal consent to the idea that they were making a progress pleasing to God was a backward step. Because that idea came from the Enemy. If a monk had been following a fast of half a loaf a day, Satan would appear to him in the guise of an angel and say that God was well pleased with his efforts and would be even more pleased if he could reduce his intake to half a loaf every two days. The monk who did this and felt some satisfaction in so doing was on the slippery slope. Humility was the only sure way to combat the temptations of the Devil.

Abbas Theodora said: ‘Its not through fasting or vigils or hard work that we can be saved, but only through real humility’. There was once an anchorite who managed to exorcise some demons and, as they came out, he said to them: ‘What made you flee, was it the fasting?’ ‘No,’ they said. ‘We neither eat nor drink.’ ‘Was it the long vigils?’ ‘But we never sleep.’ ‘The retreat to the desert?’ ‘But we live in the desert.’ ‘So what was it, then, that finally made you come out?’ ‘Nothing can ever conquer us’, they said, ‘except humility’.

That spontaneous and genuine humility is a proof against the wiles of the Devil is illustrated in the story of the brother who had lived for many years in great holiness alone in the desert. One day Satan decided to undermine his virtue and, realising that extreme measures were called for, disguised himself as an angel of light. He burst into the cell in a blaze of glory and announced to the monk: ‘I am Gabriel, sent from God with a message for you.’ And the monk, glancing up from his plaiting, said humbly: ‘Oh no. Can’t be me. You must have the wrong man.’ Satan vanished.

Abbas Matoes said: ‘When anybody speaks about anything, don’t argue with him. If he speaks well, agree with him. If he speaks ill, say: ‘I suppose you know what you’re saying’ and don’t argue with him about what he has said. That is humility.’

In seeking to escape the good opinion of others, the monks were following the Biblical injunction ‘Woe to you, when all men speak well of you’ (Luke 6:26) and they went to some lengths to avoid a decline into social respectability. Abbas Pambo once said: ‘A monk should wear such clothes that, if he leaves them outside his cell for three days, nobody will take them away’. As the Desert Fathers were aware of the dangers of respectability, they were careful to follow the biblical injunctions against being offensively well-behaved:

One of the old men said: ‘The man who makes public his good deeds is like the one who sprinkles seed on the surface of the earth. The birds of the air come and eat it. The man who hides his deeds is like the one who plants in a furrow and the earth multiplies his seeds.’

*

A woman who had a sickness in her breast called cancer heard of Abbas Longin and looked for him. He lived nine miles from Alexandria. Whilst she was searching, it happened that the holy man was picking up wood along the sea shore. Having met him, she said: ‘Abbas, where does Abbas Longin, servant of God, live?’ She did not know who he was. He said: ‘What do you want with that imposter? Don’t go near him. What’s wrong with you?’ The woman showed him her illness. Having made the sign of the cross over the place, he said farewell to her, saying: ‘Go and God will heal you. Longin can’t do anything for you.’ The woman, believing him, went away and was healed on the instant. Later, having told others of the story and described the Abbas, she realised that it was Abbas Longin.

*

One day at Kellia there was a feast and the brothers all ate in the church. Now one of them said quietly to a servant: ‘I eat nothing cooked, only a little salt’. And the servant shouted across to another, in front of everybody: ‘This brother doesn’t eat cooked foods. Just bring him salt’. One of the old men got up and said: ‘It would have been better for you to eat meat today in your cell than to hear such a thing in front of everybody’.

*

They say that Abbas Macarius had a rule when he was with the brothers: ‘If there is wine, drink it because of the brothers. But for every glass of wine, spend a day without water.’ The brothers, to raise his spirits, gave him wine and he took it with pleasure to mortify himself but his disciple, knowing what was going on, said to the brothers: ‘In the name of the Lord, don’t give him any more, otherwise he’ll die of thirst in his cell’. And they stopped.

Humility only became a problem when the monks tried, with hilarious ineptitude, the experiment of behaving as other men:

Two brothers had lived together for many years and never had a quarrel. One day, the first said: ‘Lets have a quarrel like men in the world outside do’. The second replied: ‘But I don’t know how to have a quarrel’. So the first said: ‘Look, I’ll put down a brick between us and I’ll say: “It’s mine”. Then you must reply: “No, it’s mine”. And so the quarrel will begin. So they found a brick and put it between them and the first said: ‘It’s mine’, and the second said: ‘No, it’s mine’. So the first replied: ‘Oh well then, if it’s yours, take it’. And so they did not succeed in having a quarrel.

Discernment

This is the most valuable of the virtues. Many are given humility, many have love, but without discernment they can harm themselves and others. It is a sort of sanctified common sense but goes by the name of spiritual discernment. It sees the humorous side of exaggeration and affectation.

Its overriding importance is recorded by Cassian, celebrated recluse and one of the earliest chroniclers of Egyptian monasticism. He tells the story of a congress of leading monks on St Antony’s mountain called to discuss perfection and how to achieve it. Some thought it came from fasting and vigils, some from solitude, some from humility. St Antony said that many monks practised all these things and still didn’t make spiritual progress because of the want of discretion. ‘Nor can any other reason for their falling off be discovered except’, he records, ‘that, as they were not sufficiently instructed by their elders, they could not obtain judgement and discretion, which, passing by excess on either side, teaches a monk always to walk along the Royal Road, and does not suffer him to be puffed up, on the one hand by virtue, i.e from excess of zeal to transgress the bounds of moderation in foolish presumption, nor allows him to be enamoured of slackness on the other hand’.

The delights of discernment are in the pricking of pomposity; its serious significance is that it counterbalances the fanaticism of which the Desert Fathers often stand accused.

Abbas Antony said: ‘Some destroy their bodies in asceticism but, lacking discernment, are far from God’.

Those who feel themselves to be on the right spiritual path are always in danger of stumbling into self-righteousness. Discernment showed the Fathers how to cope – to extinguish self-righteousness in themselves and others, often with sly humour:

The brothers of a community went off to visit an anchorite in the desert. He received them with joy and, as is the custom with the hermits, seeing that they were tired, set the table before the right time and brought what he had for them to eat. As evening fell, they recited the twelve psalms and similarly at night. As the abbas was awake at his vigil, he heard them say to each other: ‘The anchorites in the desert have a softer life than we do in the communities’. In the morning, hearing that they were going to visit another hermit in the neighbourhood, he said to them: ‘Give him my greetings and tell him not to water the vegetables’. So they did.

Understanding the cryptic message, the hermit kept them working until the evening without food. When evening came, he sang the Grand Office and said: ‘We will stop there because of you, because you are tired’. And he said: ‘We don’t usually eat every day but, because of you, let’s eat a little’. He brought them dry bread and salt. Then he said: ‘Because of you, we must have a feast’. And he poured a little vinegar onto the salt.

As they were about to eat, he got up from the table, and began to sing the Little Office. This went on until the small hours. Then he said to them: ‘Because of you we can’t perform the whole of our rule. You must eat a little, as you come from afar.’ They ate a little.

The next morning they wanted to leave but he begged them to stay, saying: ‘Stay with us a little. At least three days to follow the customs of the desert’. But they, seeing that he would not give them leave, slipped away secretly.

*

John Colobus said one day to his brother: ‘I would like to be carefree like the angels who do no work but serve God unceasingly.’ And he threw off his cloak and went off into the desert. A week later he came back to his brother and knocked at the door. ‘Who are you?’ ‘I am John, your brother.’ ‘John has become an angel’, he replied, ‘and no longer works with men’. And though he cried out, his brother did not let him in until he had fretted outside all night. Then he opened the door saying: ‘You are a man and you must work to eat’. John, having been taught discernment, made a bow saying: ‘Forgive me’.

*

A brother came to Abbas Silvain on Mount Sinai and, seeing that the brothers were working, turned to the Abbas and loftily quoted the scriptures to him: ‘Do not work for the food which perishes’ (John 6:27) and followed it with: ‘Mary has chosen the best part’ (Luke 10:42). The Abbas said to his disciple: ‘Zacharie, give the brother a book and put him in an empty cell’.

When the ninth hour arrived, the brother sat in his cell, his eyes fixed on the door, waiting to be called to eat. But, as nobody called him, he went to find the Abbas and said: ‘Have the brothers not eaten today, Abbas?’ The Abbas said: ‘Yes’. So he asked: ‘Why did you not call me?’ The Abbas said: ‘Because you are a spiritual man and do not need this sort of food; but we are fleshly and so we need to eat and that is why we work. You have chosen the best part: you read all day and do not want to eat fleshly food.’ Having heard this, the brother apologised and said: ‘Forgive me’. The Abbas said to him: ‘Surely Mary had need of Martha, and it is thanks to Martha that Mary is praised’.

*

A brother went to see Abbas Macarius and said: ‘Father, for thirty years I have not eaten meat and I am still tempted to do so’. The old man said: ‘Don’t tell me, my child, that you’ve spent thirty years without eating meat. But tell me the truth: How many days have you spent without speaking ill of your brother? Without judging your neighbour? Without letting useless words pass your lips?’ The brother bowed and said: ‘Pray for me, Father so I can begin again’.

*

Bishop Epiphanius sent one day to Abbas Hilarion: ‘Come, so that we can see each other before we die’. They met and, while they were eating, someone brought in a chicken. Epiphanius gave it to Abbas Hilarion, who refused it, saying: ‘Excuse me, but ever since I put on the habit I have never eaten meat’. Then the Bishop answered: ‘And ever since I put on the habit I have never allowed anybody to go to bed if he had anything against me, and I have never myself gone to bed with a resentment against anybody’. The Abbas replied: ‘Forgive me, your practice is better than mine’.

(...)

It is told of Abbas Netras, disciple of Silouan, that when he stayed in his cell on Mount Sinai he treated himself with moderation in his asceticism, but when he became Bishop of Pharan he practised a far more severe regimen. When asked why, he explained: ‘Down there was the desert, solitude and poverty and I wanted to treat my body in such a way that I should not become ill; but here is the world with its enticements, and if I fall ill there is somebody to take care of me. So I must here act in such a way that I do not lose the monk in me.’

(...)

It is told of Abbas Netras, disciple of Silouan, that when he stayed in his cell on Mount Sinai he treated himself with moderation in his asceticism, but when he became Bishop of Pharan he practised a far more severe regimen. When asked why, he explained: ‘Down there was the desert, solitude and poverty and I wanted to treat my body in such a way that I should not become ill; but here is the world with its enticements, and if I fall ill there is somebody to take care of me. So I must here act in such a way that I do not lose the monk in me.’

(...)

One of the desert hunters visited Father Antony when he was relaxing with the brothers and was scandalised by the levity. The Abbas, wishing to make him understand that it was necessary from time to time to indulge the brothers, said to him: ‘Put an arrow in your bow and draw it’. He did so and the Abbas said: ‘Draw it a little further’. And he did so. The Abbas said again: ‘Draw it further’, and the hunter replied: ‘If I draw my bow too far it will break’. Then the Abbas said: ‘So it is with the work of God. If we stretch the brothers too much, they will quickly break. So we must, from time to time, relax and indulge them.’

Hermits

Peter France 

Wednesday, October 14, 2026

 The Last Hermits of Medieval Europe

Hermits in the European Middle Ages championed a theology of evangelical poverty versus ecclesiastical centralization, control, and corruption. From the point of view of ecclesiastical authorities, however, eremitic spirituality was too mystical, and, in its last centuries, too concerned with individual contemplation.

As late as the early fifteenth century, the last medieval guide for recluses, the Speculum inclusorum (or “Mirror for Recluses”) couched its directives disparagingly. Historian E. A. Jones notes that the guide warns against conversation with visitors, idleness, and sloth. It chastises aspiring anchorites for potential bad motives: seeking reclusion for its supposed ease (versus living in the world), using reclusion as penance for past sins (versus having a spiritual positive aspiration), and for pursuing reclusion as escape from the world and its temptations.

Ultimately, hermits proved unable to resist church authority or the suppression of anchorites accused of being heretics and vagabonds. The subsequent Protestant reformers and secular authorities completed the suppression of monks, priests, and nuns in key countries.

The three hermits highlighted below are not literally the last hermits of the Middle Ages, but their stories are representative of the fate of eremites in the waning centuries of the medieval era.


1. Hermit and Pope: Pietro Murrone & Celestine V


In the late thirteenth century, Italy was a battlefield of religious controversy, political intrigue, and incessant warfare. The pro–papal Guelphs fought the imperialist Ghibellines, authoritarian Dominicans opposed Spiritual Franciscans, and rival Roman families, the Colonna and the Orsini, fought for control of the Church.

In the last decades of the 1200s, France, England, Spanish Aragon, and the reigning popes fell into bitter conflict over ecclesiastical and secular prerogatives such as taxation of clergy and control of Naples and Sicily. Into this whirlwind comes Pietro di Murrone (1215–1296), a life–long hermit.

At the age of twenty–five, Benedictine monk Pietro Angelerio left his monastery for Mt. Murrone to become a hermit. After five years living in a cave he joins two companions to form a laura on Mt. Majella. News of his piety spreads. A community of fellow hermits develops. Pietro calls them “Hermits of St. Damiano” and gives them a rule. With Pietro as superior and with papal approval, the order grows and spreads over the next twenty years with thirty–six monasteries and hundreds of hermit–monks.

Pietro intended to retire at sixty but returns to work helping construct a church in Aquila. With a new superior for the order, the nearly seventy year old Pietro withdraws at last to Mt. Majella.

Amidst ongoing war and conflict, Pope Nicholas IV dies in 1292. The rival Colonna and Orsini families fight a two–year stalemate to have their preferred papal candidate elected. The ideal candidate must not represent a faction, but at the same time be malleable to the stronger family. An Orsini cardinal reports that God has told him to elevate a pious hermit to the papacy or face divine chastisement, and that the hermit is the unpretentious, retired lover of solitude Pietro Murrone.

In the spring of 1294, Pietro Murrone accedes to the demand of cardinals and kings and is crowned as Pope Celestine V.

How miserable the old hermit must have been in the midst of the cor-ruption and intrigue of Rome! For all his simplicity, Pietro clearly refused to submit to the farce, instead cranking out lofty spiritual correctives. From the start, Pietro threatened to resign. An exasperated Cardinal Caetani, the very Orsini who appointed Pietro in the first place and who continued to insist on Pietro’s cooperation, accedes at last to papal resignation—in order to himself succeed Pietro as Pope Boniface VIII!

Boniface rightly fears that the secular powers competing for control of Italy will challenge the validity of Celestine’s resignation. Pietro had been winding his way back to Mt. Majelli when Boniface orders his arrest and detention, to assure that all parties will accept the resignation.

Pietro’s friends hide him for months. They prepare his escape to Greece but the old man is caught. At first Boniface puts Pietro in the cardinal’s residence, insisting on statements to mollify the secular powers that Boniface fears. Getting nowhere, Boniface imprisons Pietro in a prison cell for nine months, where the exhausted old man dies in 1296 at the age of eighty-one, though many sources believe that Pietro Murrone was murdered at Boniface’s order.


2. Nicholas of Flue, Hermit of Switzerland

Nicholas of Flue (1417–1487), also called Nikolaus or Claus, is Switzerland’s only canonized saint. The eremitism of Nicholas is a paradox to contemporaries, representing two psychological dimensions of his personality: eremitism and a political–mystical persona.

The late Middle Ages was a chaotic time throughout Europe, as mentioned, including Switzerland. The contest of great powers around Switzerland exacerbate its historical mix of languages and cultures, as does the traditional absence of young Swiss men perennially seeking their fortunes as mercenaries in the wars of neighboring powers. Young Claus spent his youth in such wars.

Son of well–to–do peasants, the piety of Nicholas was unexceptional and predictable. He settled into marriage with a local peasant girl. They raise ten children while he continues heeding soldierly calls when summoned, rising to the rank of captain. Nearly illiterate and without practical political experience, Nicholas is elected or appointed to his town council, then to a judgeship he holds for nine years.

Among other accomplishments, Nicholaus resolves a dispute between the local parish and neighboring Engelberg monastery. Nicholas is even offered the governorship of his canton (which he declines). This staid life may have led Nicholas to deep reflection. By design, or because of a vision of God, the fifty–year old one day announces to his family his urgent desire to become a wandering hermit.

Nicholas declares his intent to travel to foreign lands, but walking to Basel, divine inspiration bids him stop and take up residence in Ranft, about an hour’s walk from his home. Here he built a crude hut for his dwelling, renouncing winter clothing for a mere gown, and refusing food and drink for nearly two decades. He called himself “Brother Klaus.”

When a dangerous fire in the nearby town of Sarnen miraculously extinguishes itself, the prayers of Nicholas are credited. His fame spreads. Civil authorities build a cell and chapel for him, the latter dedicated by vicar–general and bishop of Constance. After the pope grants an indulgence for pilgrimage to Nicholas’s hermitage, visitors from throughout Europe stream to his quarters seeking counsel, both personal and political. The Ranft location is declared part of the Way of St. James, the route to the pilgrim shrine of Santiago de Compostela in Spain.

In 1480, Swiss delegates attending the Diet of Stans threatened one another with dissolution of the confederacy. The pastor of Stans hastened to Nicholas, begging his intervention. But Nicholas had vowed to never leave his cell. Instead he entrusts a simple statement to the pastor, urging a peaceful settlement of the issues, with a few modest propositions. The pastor hurries back to Stans. The delegates heed the advice of Nicholas, averting disastrous civil war. Though the content of the advice was never publicized, letters of thanks to Nicholas from the cities of Berne and Soleure survive.

Popularizations of the life of Nicholas of Flue conflate his influence on contemporary events with his mysticism. Throughout his hermit life, Nicholas experienced visions. A significant dream justified his eremitic life, wherein he saw a pilgrim approaching him, who is transformed into Christ but also into Wotan, berserker and wild man, like a bear. Psychologist Carl Jung interpreted this dream as Nicholas identifying himself with animal or subhuman shadow, bearlike and cold, as in his separation from family, committing a necessary “sin” that removes him from human accretions and the world.

Saint and beast are reconciled opposites. For the eremitic life means reconciling the impulses and instincts of aggression, anger, lust, and pride with the spiritual values of renunciation, disengagement, humility, and non–possession. The Christ–figure has never completely engaged the worldly, never been fully understood as anything but pain and suffering. Jung understands this representation of opposites at the heart of the psychological tension within Christianity.

Jungian psychologist Maria–Louise von Franz notes that “compared to such holy sages as Lao Tzu or Chuang Tzu, Brother Klaus as a solitary hermit is a humbler figure.” The identification of eremitic solitude as a vocation not only exempts him in the eyes of his Swiss compatriots as a gifted person, but gives Brother Klaus the psychological space to grow as a hermit reconciling the opposing needs of spirituality and sociability, of mystical vision and contribution to others. His abandonment of the world is an abandonment of its false values, but not of his fellow human beings in their simple yearnings.


THE BOOK OF HERMITS

A History of Hermits from Antiquity to the Present


Robert Rodriguez

Tuesday, October 13, 2026

Whether Picnic at Hanging Rock is fact or fiction, or both, readers must decide for themselves

 A handful of scholars and critics in the humanities such as Rice University historian of religions Jeffrey J. Kripal have begun to take seriously the precognitive or prophetic dimensions of art and literature. Kripal envisions a scholarship of the impossible that he calls “the Superhumanities,”6 and in his 2011 book Mutants and Mystics, Kripal wrote about precognitive and other paranormal experiences as they shaped the lives and works of several comic book artists and science-fiction writers, including Philip K. Dick.7 Dick is an oft-cited example of a literary “precog,” since he was uniquely aware of precognition operating in his writing as well as in his dreams. He would write characters into his stories that he would subsequently meet, and situations that he would subsequently live through. In 1962, he wrote a novel about a robot Abraham Lincoln that no publisher would accept; then, two years later, he read in the news that Disneyland had created exactly such a thing—still one of its most famous exhibits. In 2013, a researcher in England named Anthony Peake wrote a biography of Dick that catalogued numerous instances in which that science-fiction writer’s works foreshadowed unpredictable events and developments in the culture, as well as charting the author’s evolving understanding of precognition as the root of his own creativity.8This phenomenon isn’t confined to the weirdos who write imaginative fiction. The weirdos who write regular fiction—the unimpeachably “literary,” even canonical stuff that gets taught in high school and college literature curriculums—are just as liable to channel the future in their works. Between 2005 and 2016, the French critic Pierre Bayard wrote a trilogy on literary prophecies in authors like Sophocles, Kafka, and Virginia Woolf, as well on as the idea of literary influence actually running in temporal reverse.9 And as we will see in Chapter 1, Cambridge theologian, songwriter, and poet Malcolm Guite published a book-length biographical study of Coleridge in 2017 that relates the themes and imagery in his Rime of the Ancient Mariner to events in the author’s life after he wrote his poem.10 Guite’s book, especially, was an important touchstone for my project in this book. But the argument that inspiration might inherently or always have some prophetic component is not one that academic writers have felt safe to make, partly because there has never been a scientifically plausible theory of how a capacity like precognition could really exist or arise in embodied beings such as ourselves. It has seemed like something spiritual or metaphysical, New Agey. That could soon change.

Precognitive experiences of one sort or another, especially in dreams, are reported by a quarter to a third of people and are experienced but not reported (for fear of ridicule) probably by many, many more. I’ve had such dreams, and after writing about the topic for more than a decade, I’ve received hundreds of emails from people all over the world who’ve shared their incredible (but really, not incredible) stories. Ours is the only culture on Earth, ever, that doesn’t accept precognition as an ordinary part of human life.11 Part of the story of precognition—and the part I have been especially interested in as an anthropologist—is the story of the stigma around it, the taboos that it breaks, and the boundaries it transgresses, in a society that resolutely sees time and causation as unfolding in a strictly linear way. A kind of superstitious revulsion against “things going backwards” has until recently kept the subject off the academic radar.12 But as precognition gains more widespread interest and awareness, especially among a younger generation more accepting of once-stigmatized subjects that commonly fall under the heading of the paranormal, some of the academic prejudice may break down.

The evidence for precognition is not just anecdotal. Ample evidence from methodologically rigorous experiments conducted by numerous laboratories over several decades also supports its existence.13 Jessica Utts, a UC-Irvine statistician and one-time president of the American Statistical Association who had been commissioned by the U.S. government to evaluate the findings of decades of parapsychological research, found the evidence supporting ESP, especially precognition, to be overwhelmingly robust methodologically and statistically.14 (An oft-rehearsed talking point among parapsychologists is that the evidence for ESP is much more robust statistically than the strong evidence supporting aspirin in the prevention of heart attacks.15)

(...)

In other words, our vaunted free will forces our future to speak in riddles. This makes the lives of prophets—or those in the orbit of prophecy—incredibly ironic. The ancients, who understood the premonitory nature of dreams and practiced other forms of divination, grasped these complexities of foresight and fate. Sophocles’ Oedipus fulfilled the prophecies about him—that he would kill his father and marry his mother—precisely by trying to evade those prophecies. And lo and behold, we find the same irony on full display when looking at the lives of many modern creative geniuses. The Russian filmmaker Andrei Tarkovsky is a particularly tragic example I examined in From Nowhere. His 1979 masterpiece Stalker seems to have been a premonition, in film form, of his hindsight regrets and wishes after belatedly realizing that filming that movie in a toxic Estonian landscape had given both his star actor and himself fatal lung cancers. Incredibly, the film embodied—literally, depicted within itself, in the form of a parable told by the Stalker of the title near the end of the film—these hindsight regrets. More famously, Stalker also seems to have prophesied the 1986 Chernobyl disaster.

(...)

Picnic at Hanging Rock was not Lindsay’s first book. In 1966, when she wrote her novel, she had already penned a memoir, Time Without Clocks, and many journalistic pieces, and she had even published a satirical novel under a pseudonym when she was much younger. But while she had always aspired and intended to write something literary, she had not yet done so. Like many women of her generation, she had mostly subordinated her own artistic and intellectual aspirations to support those of her high-achieving husband.

Daryl Lindsay had been one of the leading Australian painters of his generation and was a high-profile director of Australia’s oldest and most prominent art museum, the National Gallery of Victoria. He retired in 1956, when he was knighted for “services to art.” For more than four decades, the Lindsays had lived in a drafty house called Mulberry Hill that they had built after their marriage in the early 1920s on the Mornington Peninsula south of Melbourne. They led an enviable life there, surrounded by fascinating bohemians and celebrities. They hosted fabulous parties and entertained an endless parade of guests—some, Joan recalled, stayed for days or weeks or longer and returned year after year.267 Lawrence Olivier and Vivian Leigh had been visitors to Mulberry Hill during its heyday, among many other notables. Through it all, Joan had little time or opportunity to express herself or develop her own considerable talents as a storyteller, und unfortunately she received little encouragement from Daryl. But her week of dreams changed everything.

The dream-origins of Picnic at Hanging Rock were later attested by the Lindsays’ live-in housekeeper, Rae Clements, who said they occurred in the coldest part of winter, 1966.268 On the bleak morning of Joan’s first dream, she told Clements that she had had a dream that would make a good book. She would allow no person from Porlock (or inquisitive spouse or housekeeper) to destroy her fragile recollection, so she promptly ensconced herself upstairs in her writing room, wrapped in a blue cardigan against the chilly drafts of the house, and hurriedly got down on paper all she had seen and heard. Clements recalled to Lindsay’s biographer Janelle McCulloch that the first dream was so vivid that Lindsay said she could still hear the laughter of the girls setting out on a Valentine’s Day picnic and could feel the hot summer breeze—February 14 falls in Australian summer, in case you had forgotten that the world is spherical in our fallen times. Lindsay had long wanted to write some story involving Hanging Rock, a place that had always fascinated her, but that first dream had finally given her the plot. Clements said Lindsay fully sketched out her novel by midday and spent the rest of the day furiously fleshing it out. And then she had the dream again—or some variant of it—that night … and then again every night for a week.

Dreaming and then furiously writing down what she had dreamed totally consumed Lindsay, as the story poured from her unconscious. She could think or talk about nothing else. “I just sort of thought about it all night and in the morning I would go straight up and sit on the floor, papers all around me, and just write like a demon!”269 When Lindsay wasn’t madly writing it all down, she talked about the characters and their actions like they were real people. Clements recalled also that Lindsay’s dreams unfolded the story in the sequence matching the chapters of her novel.

Lindsay completed her draft less than two weeks after her first dream, and the title she put on her cover page she borrowed from a beloved painting by William Ford that had hung in her husband’s office at the art museum. At the Hanging Rock shows a group of Victorian picnickers under the looming rock formation, in what could almost be a promotional still for Weir’s film. Before sending the manuscript to her publisher, Frank Cheshire, Lindsay also added a brief preface, planting the seeds for the cult that would later grow around the book and movie:

Whether Picnic at Hanging Rock is fact or fiction, or both, readers must decide for themselves. As the fateful picnic took place in the year nineteen hundred, and all the characters who appear in this book are long since dead, it hardly seems important. Seeing that we live in an age when Fact is nearly always harder to swallow than Fiction. For the author, who knew Mount Macedon and the Hanging Rock very well as a child, the story is entirely true.270Cheshire delegated the manuscript to his publishing director Andrew Fabinyi, who in turn entrusted it to a junior editor named Sandra Forbes, who would play a fateful role in the events I will describe. It was Forbes who delivered the good news to Lady Lindsay that the firm would publish her book, and her acceptance letter revealed that she took the author’s preface as meaning that her novel was indeed a true story: “Given that the actual disappearance of the girls is a fact, it is a fascinating problem, well presented in a style very much in keeping with the period and personages involved.”271 During the editing process, Lindsay held her own on various stylistic preferences, but she allowed Forbes to make some important editorial changes that we will discuss momentarily. Lindsay also allowed the publisher to cut the last two sentences of the preface, including the business about it being “entirely true.”

Picnic at Hanging Rock came out in hardcover almost a year after Lindsay submitted it, on November 1, 1967. Although it received good reviews, it was not a hot seller at first, nor did the publisher really expect it to be. But by a twist of fate, one of Cheshire’s staff was poached by the much larger British publisher Penguin in 1969, and he brought Picnic at Hanging Rock with him as the first of a new line of Australian fiction he envisioned. Then, an Australian TV presenter who read the novel after finding a copy in a discount book bin found she couldn’t get the story out of her mind and thought it would make a good movie. She sent a copy of the book to a young up-and-coming director she had once interviewed, Peter Weir, thinking he would be the perfect person to make the film. And the rest, as they say, is history. With the boost of Weir’s film adaptation, which Lindsay assisted with and fully endorsed, her maybe-true story cast a spell on a nation.

It begins with the following white text on black:

On Saturday 14th February 1900 a party of schoolgirls from Appleyard College picnicked at Hanging Rock near Mt. Macedon in the state of Victoria.

During the afternoon several members of the party disappeared without trace …

You could not ask for a more irresistible hook for a mystery than disappeared or dead schoolgirls. David Lynch adopted the same formula for his 1989 TV hit Twin Peaks, which begins with the discovery of a murdered high-school prom queen. Lindsay’s hints that her story had some basis in fact only added to its mystique. Besides that coy prefacing paragraph, the author also alluded in interviews to the fact that “something did happen.” It led Australian fans to obsessively scour newspapers from the period for reports of missing students at Hanging Rock.272Hanging Rock had been a pretty dangerous place in the late 19th century, near the time when Lindsay’s story was set. People sometimes did go missing. Prospectors returning to Melbourne from nearby gold fields were sometimes robbed and killed there. According to a 1975 documentary accompanying and promoting Weir’s film, a town in the vicinity has a monument to three children who went missing in the 1860s.273 Hanging Rock also was haunted by Australia’s colonial history and the murder of indigenous peoples, for whom the site was regarded as sacred. Still today, visitors regard it as a spooky, mysterious place. But fans searching for some true story about missing schoolgirls at Hanging Rock around the turn of the century came up empty handed. While it must have been amusing at first, the numerous uninvited visitors to Mulberry Hill seeking answers quickly became wearying for the ageing Lindsays—yet Joan did nothing to dispel the mystery by giving any more details.

Although director Weir was advised prior to his production of the movie not to ask Lindsay about the truth of her story, he couldn’t resist, and the displeased author kept mum and just said she hoped he wouldn’t ask the question again. In 1980, a critic named Yvonne Rousseau even compiled various theories of the girls’ disappearance in a book called The Murders at Hanging Rock—again, taking Lindsay’s book to be a real unsolved mystery rather than a work of fiction. Among the theories she presents in the book were that the girls were murdered, that they slipped into a parallel dimension, and that they were abducted by a UFO.274There are several clear autobiographical components in Lindsay’s novel. Mrs. Appleyard’s College for Young Ladies was based on a real private girls’ boarding school, the Clyde School in Mt. Macedon, near Hanging Rock, which Lindsay had attended as a young woman in the late 19-teens. In her research, McCulloch found that the novel is really a roman à clef, as some of the characters seem to have been based on people Lindsay would have known at the school, even if she set her story a decade and a half earlier to give it a more nostalgic, Edwardian-era atmosphere. McCulloch’s research revealed that in some cases she used her models’ actual names.

As they begin ascending the Rock in Lindsay’s novel, one of the girls, wealthy heiress Irma (the one who is later rescued by the boys), says “If only we could stay out all night and watch the moon rise.”275 Joan had been editor of the Clyde School’s paper, The Cluthan during her time there. McCulloch discovered that in 1919, a couple years after she graduated, a math teacher named Miss McCraw—undoubtedly the basis for the character in her novel—published in that paper an account of a nighttime field trip of the school’s Camera Club to Hanging Rock, to take moonlit pictures. The trip was evidently a fiasco. They departed, Miss McCraw described, as a row of “freshly clad maidens” yet returned, after difficult scrambling over rocks and brambles, in a disheveled state: “sorry objects.” The field trip evidently became a source of rumor and mild scandal among students in subsequent years.276 Joan would have known of this event, but on the surface at least, it hardly seems to qualify as something worthy of all the secrecy and coy allusions. Sleuths scouring newspapers for stories of missing schoolgirls around the time the author attended the Clyde school—thinking Lindsay’s true story might simply have been displaced in time, in her novel—also turned up nothing.277A strange encounter with the elderly Lindsay during the filming of the movie led Weir’s 19-year-old lead actress, Lambert, also to believe that there was indeed a reality to Lindsay’s story and that there had been some actual Miranda. Lambert recalled that during a difficult day of shooting, she went off on the Rock to be alone, but she sensed she was being followed. She turned and found it was an old woman, whom she recognized immediately as the then-78-year-old author. Lindsay embraced her tightly like they were old friends and spoke into the young woman’s ear: “Oh Miranda! It’s been so long!” Lindsay clung to Lambert shakily, in tears, as though it were a real reunion.

“It was very moving,” Lambert said. “And it was clear she’d regressed into some part of her past. To her, I really was someone she had known, somewhere in time.”278 This encounter gave the young actress needed encouragement at a time she was doubting her abilities to master the role: “Right then, I felt then that if Joan Lindsay believed I was Miranda, I must have been doing okay. I felt that if she believed in me, I would be okay.”

Lindsay died ten years later, in December 1984, at the age of 88. At that point, any hope of learning the truth about her novel seemed lost. But astute readers and people who had been friends of the author suggested that whatever truth there was to her story, it wasn’t some mundane, lurid crime or scandal, but that it was somehow connected to Lindsay’s spiritual beliefs and her fascination—really a passionate love/hate relationship—with time. In Lindsay’s 1962 memoir, Time Without Clocks, she described her hatred of the clock-bound life most people lead.279 The only clocks allowed at Mulberry Hill were for the housekeeper, Clements. And Lindsay harbored a particularly irrational hatred of 4:00 PM. In the novel, after the girls disappear, the next chapter opens with Mrs. Appleyard awakening suddenly at 4:00 PM, having been dreaming of her dead husband. It was at 4:00 PM on a summer day in 1976, ten years after Lindsay wrote that scene and a year after Weir’s film came out, that her husband of 54 years, Daryl, had a fatal fall at age 86.280Lindsay in real life had claimed that clocks would not function near her, and friends confirmed that their watches would stop in her presence—a minor technology curse that is not uncommonly reported by people with psychic ability. In fact, during the filming of Picnic at Hanging Rock, watches and clocks went haywire or stopped frequently, just as happens to the girls’ watches in the novel when the coach arrives at the massive rock formation. It prompted Weir’s crew to wonder if it was a geomagnetic effect of the Rock itself or somehow was due to Lindsay’s involvement.281

Calendars were similarly problematic for Lindsay. She claimed that for most of her life she didn’t even know her own birth date, until she finally asked a journalist friend, Terence O’Neill, to help her research it. He discovered that she had been born November 16, 1896.282 In his own confusion of chronology, another journalist friend, Phillip Adams, described in a newspaper column that “Long before Einstein revealed his relativity theory, in which time ceases to be something solid and dependable and becomes elastic, Joan believed that it was somehow dreamlike, that yesterday is still with us while tomorrow is already here.”283 In reality, Joan was only nine when Einstein formulated his theory, but what’s a little time warp between friends?

Besides the stopped watches, there is another time-related anomaly early in Lindsay’s novel. The girls who have left the group gaze down on the valley below and muse philosophically on human purpose, almost like aliens surveying people from some Archimedean vantage point. Irma then hears a sound like drums:

The plain below was just visible; infinitely vague and distant. Peering down between the boulders Irma could see the glint of water and tiny figures coming and going through drifts of rosy smoke, or mist. ‘Whatever can those people be doing down there like a lot of ants?’ Marion looked out over her shoulder. ‘A surprising number of human beings are without purpose. Although it’s probable, of course, that they are performing some necessary function unknown to themselves.’ … The ants and their business were dismissed without further comment. Although Irma was aware, for a little while, of a rather curious sound coming up from the plain. Like the beating of far-off drums.284

Readers who are paying attention note that members of a search party several hours later bang on sheets of tin to try and signal to the missing girls. “No wonder the bloodhounds lose the trail,” Adams remarked, “For the girls aren’t lost on the rock. Like Alices stepping through the looking glass, they’re moving into another dimension.”285 Again, it is Irma who is found high on the rock a week later, asleep and unharmed except for a few scratches, but with no memory of what became of her companions. “Missing time,” again.

But here’s the thing: Amid all the speculation and sleuthing by readers, there were rumors of a final chapter that had been cut from Picnic at Hanging Rock prior to publication, which contained the answer to the mystery. Those rumors proved … entirely true. Three years after Lindsay’s death, the missing “Chapter 18” was published in a thin volume along with a couple critical commentaries, as The Secret of Hanging Rock. The chapter does indeed return us to the Rock and to what happened to Miranda, Marion, and their math teacher Miss McCraw. But its explanation is one that few readers could understand, let alone accept, especially in 1966-7. It is nothing that would fit within the usual coordinates of a romantic mystery novel. It is instead one of the most fascinating and beautiful pieces of paranormal fiction I have ever read. And the story of how it came to be excised from the novel is just as interesting and significant.

Slips Through Time

Chapter 18 opens with the otherworldly beauty Miranda, the intellectual Marion (who gazed down on the picnickers like at ants), and heiress Irma standing on a high ledge, finding themselves drawn toward a stone monolith that exerts a kind of spiral magnetic force, “pulling, like a tide.”286 They work their way past it, and then the girls fall asleep briefly, after which a disheveled “living creature,” a “clown-like figure” dressed only in her undergarments and boots—comes toward them from behind some bushes. It is clearly the math teacher, Miss McCraw, whom Edith earlier in the novel embarrassedly reported seeing coming up the hill in only her drawers. Yet Miranda and her companions don’t recognize the woman—they are already in a dream-like state where reality has been transfigured.

The woman faints from the heat, and the girls remove her restricting corset to help her breathe. Upon reviving her, Marion gets the idea they should all discard their corsets. They toss them off a precipice, only to see them hanging motionless, “becalmed on the windless air like a fleet of little ships.”287 The revived math teacher/stranger says “they are stuck fast in time,” at which point Irma tells her “when you said that about time I had such a funny feeling I had met you somewhere. A long time ago.”288 The older woman replies, “Anything is possible, unless it is proved impossible. And sometimes even then.” She then asks for the girls’ names, even though she should know them, and notes she has forgotten her own name: Waving toward a bush, she says “I have apparently left my own particular label somewhere over there.”289It is a trippy exchange—indeed, like a group of people under the influence of a powerful psychedelic. And it only gets stranger. When the intellectual Marion suggests they keep moving before the sun sets, the older woman utters further perplexities:

“For a person of your intelligence—I can see your brain quite distinctly—you are not very observant. Since there are no shadows here, the light too is unchanging.”

Irma was looking worried. “I don’t understand. Please, does that mean that if there are caves, they are filled with light or darkness? I am terrified of bats.”

Miranda was radiant. “Irma, darling—don’t you see? It means we arrive in the light!”

“Arrive? But Miranda … where are we going?”

“The girl Miranda is correct. I can see her heart, and it is full of understanding. Every living creature is due to arrive somewhere. …”290

Which is when they see a hole open up before them, and the woman formerly known as Miss McCraw beholds it rapturously:

It wasn’t a hole in the rocks, nor a hole in the ground. It was a hole in space. About the size of a fully rounded summer moon, coming and going. She saw it as painters and sculptors saw a hole, as a thing in itself, giving shape and significance to other shapes. As a presence, not an absence—a concrete affirmation of truth. She felt that she could go on looking at it forever in wonder and delight, from above, from below, from the other side. It was a solid as the globe, as transparent as an air bubble. An opening, easily passed through, and yet not concave at all.

She had passed a lifetime asking questions and now they were answered, simply by looking at the hole.291

The “hole in space” fades out, after which they observe a snake slither into a physical hole below two vertically stacked boulders, which seems to be the tiny opening of a cave. The girls’ erstwhile math teacher now becomes a kind of shamanic pied piper, confidently announcing that she will be privileged to enter first and that the girls will follow. When Marion expresses surprise at this idea, their leader corrects her: “Quite simple. You are thinking in terms of linear measurements …”292 At which point, she begins to undergo a metamorphosis: “Before anyone could answer, the long-boned torso was flattening itself out on the ground beside the hole, deliberately forming itself to the needs of a creature created to creep and burrow under the earth. The thin arms, crossed behind the head with its bright staring eyes, became the pincers of a giant crab …”293The crablike being, still clad in frilled pantaloons, wriggles through the small opening and out of sight. On the vanished teacher’s signal—tapping on the rock from within—Marion follows, and after Marion’s signal, Miranda. Both effortlessly conform their bodies to the shape and narrow size of the opening. But then to Irma’s horror, while she is awaiting her signal to follow, one of the boulders falls on the hole, sealing it off.

Irma had flung herself down on the rocks and was tearing and beating at the gritty face of the boulder with her bare hands. She had always been clever at embroidery. They were pretty little hands, soft and white.294

And that is how Joan Lindsay originally ended her novel: with Hanging Rock itself devouring the girls and their teacher after an encounter with what can only be called a black hole. In contrast to the relatively matter-of-fact tone of the rest of the book, it is more like something out of Carlos Castaneda. In fact, it is exactly like something out of Carlos Castaneda … although Castaneda would not publish his first book of psychedelic pop-shamanism, The Teachings of Don Juan, until the year after Lindsay wrote this shamanic-seeming scene. Nor would Stanley Kubrick’s 2001: A Space Odyssey (or Arthur C. Clarke’s companion novel), with its “monolith” and its psychedelic passage through a monolith-stargate, come out until two years later. And although the possibility of gravitational singularities had been described in the upper echelons of astrophysics for years, they did not enter the public consciousness until, wait for it, 1967, when the term “black hole” was coined by physicist John Wheeler. In the vicinity of such objects, time is dilated, exactly what the girls and their teacher seem to experience. Yet Lindsay’s “hole in space” image was, again, written (and presumably dreamed) the previous year.295Lindsay’s finale is a stunning vision of the solidly four-dimensional spacetime continuum, often called the “block universe,” described by mathematician Hermann Minkowski on the basis of his former student Einstein’s theories. It is an Einsteinian vision, but with a Lewis Carroll twist. And as Yvonne Rousseau wrote in a commentary to this chapter, it bears close rereading. Among other peculiarities, there is something punnily akin to dream in these strange events: Miss McCraw’s crab-transformation is into a kind of claw. The corsets that hang in midair were colloquially called “stays,” and stay in spacetime is what they do.296 In fact, if there was any doubt about Picnic at Hanging Rock coming to its author in dreams, these materialized puns in its final bizarre chapter would have to eradicate it. The final metamorphosis of the girls and their teacher as they enter Hanging Rock is Freud’s “dream-work”—the active symbolic transformation of the primary process, Coleridge’s primary imagination—on full view. (And for what it’s worth, any reader of Wells’ The Time Machine, published the year before Lindsay’s birth, may also recall the Time Traveler’s farthest-future vision of a dying earth populated by crablike beings, perhaps humanity’s ultimate evolutionary transformation.)

***

To understand the enigmatic Chapter 18, it is necessary to first understand some of the real paranormal experiences of its author. They go way beyond recalcitrant timepieces and clock-time resonances.

Like other of the authors and artists I have examined here and in my previous book From Nowhere, Lindsay was clearly someone who, in another time and another culture, would likely have been something like a shaman. McCulloch writes:

Some of Joan's friends called her a “mystic”. According to those who were close to her, she had certain abilities, sensitivities. She could “see” things that others couldn’t, especially in the bush landscape. She knew things without being told. She could not only tell what had happened in the past, but also predict events in the future, without knowing why or how. And she could communicate with those who live in that grey space between life and the world beyond it. Those friends feel that Joan's novel is the result of this curious ability, which she'd had ever since she was three.297McCulloch gives few concrete details, unfortunately, except for one particularly strange story Lindsay had told a few of her friends in confidence. In 1929, she and her husband were driving to another town, Creswick, to visit Daryl’s parents. On the way, Joan saw something peculiar: a group of nuns running through a field, seemingly fleeing from something. The clothing of one of them seemed to be burned, and Joan thought she could see a burning building behind them. Daryl, however, saw nothing. She felt that what she had seen was a vision of the past. When they arrived at Daryl’s family home, Joan asked Daryl’s mother if there was a convent nearby. Her mother-in-law, no doubt perplexed by Joan’s question, replied that there had indeed been a convent but that it had been destroyed in a fire years earlier.298It is undoubtedly because of this strange experience that Lindsay was drawn to a remarkable book, first published anonymously in 1911, called An Adventure.299 The authors were a pair of English schoolteachers, Charlotte Anne Moberly and Eleanor Jourdain—principle and vice-principle, respectively, of St. Hugh’s College for women in Oxford—who claimed to have experienced what paranormal writers now call a “time slip” while on vacation in France in 1901. While wandering the Trianon gardens on the grounds of Versailles, the women wrote, they both fell into a strange depression and then encountered people in anachronistic dress that they later determined must have been the ghosts of Marie Antoinette and her courtiers circa 1789, just before their execution during the French Revolution. It seemed to the experiencers like they had seen actual people and events of that year, as well as catching those doomed aristocrats’ despondency as it somehow lingered in the landscape from that time. Lindsay confided to her friend Adams that her writing of Picnic at Hanging Rock had been influenced by Moberly and Jourdain’s book.300

Moberly and Jourdain were writing at a time of exciting new technologies that were providing novel, semi-sciencey interpretations of unexplained phenomena. The popular idea of telepathy, for instance, was based on the metaphor of the telegraph, which in the last decades of the 19th century was linking people across great distances.301 Classicist and psychical researcher Frederic W. H. Myers, who coined the term telepathy, was one of the founders of the Society for Psychical Research (SPR) in 1882, a precursor to the parapsychological laboratories that emerged in the next century. Lindsay was a believer, and probably experiencer, of such things: Albert’s dream of his sister on the night she jumps to her death would fit right into the numerous anecdotes of purported telepathy collected by Myers and his SPR colleagues in their book Phantasms of the Living. (In the novel, among the inquiries Mrs. Appleyard receives about the mysterious disappearances is a letter from an investigator with the SPR.)

And at the same time Myers was writing, new photography and sound-recording technologies suggested the idea that matter could store not only images and sounds but also thoughts and feelings from the past—and that places, as SPR researcher Eleanor Sidgwick wrote in 1888, could have a kind of “memory.” Thomas Edison patented the technology for recording and playing back sounds on wax cylinders in 1877, and the explosion of this technology in the subsequent decades made things like hauntings thinkable in a new way: Tragic or sad events could etch themselves in the setting where they occurred like a groove in a wax cylinder or, later, a phonograph record. A psychically sensitive person visiting the landscape was (per this metaphor) like the needle of a phonograph enabling playback of the past. (The method of mass-producing wax cylinders, which made phonographs affordable to consumers, was developed just a year after Moberly and Jourdain’s experience.) In 1939, another SPR researcher, H. H. Price, proposed that a “psychic aether” was the medium of such imprinting.302Seemingly facilitated by this new metaphor, the 20th century’s annals of the unexplained include many seeming time slips similar to the adventure of Moberly and Jourdain. For instance, an SPR investigator names James McHarg wrote of a fascinating experience reported to him by a spinster named E. F. Smith from the village of Letham in eastern Scotland. In Smith’s account, late one winter night in 1950, she had been walking along a road after her car broke down on her way home from a Christmas party in a neighboring hamlet. Below a prominent hill near her village, called Dunnichen Hill, she saw torches of what she took to be ancient soldiers searching for their fallen comrades after a battle. That plain was then thought, at least in local folklore, to be the site of a famous Dark-Age battle, the Battle of Nechtansmere in the year 685, in which an outnumbered Pictish army routed an army of pursuing Northumbrian soldiers—a bit of history recorded by our old friend Bede, the great historian of the period. Smith’s account particularly interested McHarg because the specific roundabout path the soldiers appeared to take through the field corresponded precisely to the shoreline of a long-vanished lake, which Smith was unlikely to have known about, as it had only been described in an archaeological journal. This detail, he felt, lent authenticity to her claim. Although the journal article with the detail about the lake had already been published by the time Smith had her vision, she assured the investigator she had not read that article, nor did she know very much of the local historical lore until her experience drove her to research it.

Another well-known time-slip case occurred in 1953 in the English city of York. An 18-year-old apprentice plumber named Henry Martindale reported that while installing a new boiler in the cellar of the city’s Treasurer’s House, he fell from his ladder and then saw a line of Roman centurions march past, but sunken slightly into the stone floor almost like they were wading through a shallow stream. Six years later, excavations revealed a Roman road passing under the cellar floor in that spot. The soldiers in Martindale’s vision bore round shields, which Roman soldiers were not known to use in York until another archaeological discovery a few years after Martindale saw his spectral centurions. Again, these archaeological discoveries lent a certain credence to Martindale’s vision, because there is seemingly no way he could have known about the presence of a Roman road under the Treasurer’s House or the unique shape of the shields carried by Romans in that part of Britain.

Although Moberly and Jourdain’s account of the “ghosts of the Trianon” remains the best-known time slip, it has proven to be one of the least persuasive. One critic chalked it up to costume parties an aristocrat was known to throw on the grounds of Versailles around the turn of the century. Another, Lucille Iremonger, attributed the women’s experiences to a lesbian folie-a-deux (because lesbians, evidently, are prone to hallucination).303 The biggest problem with the teachers’ story is time: The women admitted that weeks had elapsed after their visit before they even conferred on what they had seen, and both seem to have experienced different things. And there is no telling how much their memories of their first visit may have been shaped by their subsequent decade of research delving into the history of the Trianon garden and Versailles as well as their further visits to the location. Nor can it be determined whether and to what extent each woman’s memories influenced those of the other.

Still, it made for an interesting and exciting book—one that was influential on many writers, including J. R. R. Tolkien.304 And more importantly, the edition of An Adventure that Lindsay is likely to have read, from 1931, also included an introductory note by J. W. Dunne, author of the most important book ever written on the subject of precognition and its relation to the Einsteinian, time-elastic universe, An Experiment with Time. Dunne writes that he was asked to comment on the scientific plausibility of the women’s account and states that “if Einstein is right, the contents of time are just as ‘real’ as the contents of space. Marie Antoinette—body and brain—is sitting in the Trianon garden now.”305 Dunne is referring here to Minkowski’s block universe, in which the future already exists and the past still exists, indelibly, permanently. More than anything in Moberly and Jourdain’s text, it is that one line from Dunne’s introduction that surely exerted its effect on Lindsay when opening her hallucinatory Chapter 18:

It is happening now. As it has been happening ever since Edith Horton ran stumbling and screaming towards the plain. As it will go on happening until the end of time. The scene is never varied by so much as the falling of a leaf or the flight of a bird. To the four people on the Rock it is always acted out in the tepid twilight of a present without a past. Their joys and agonies are forever new.306

The pun that Yvonne Rousseau misses, although Lindsay herself may well have been conscious of it, is that the girls and their teacher atop the Rock, having discarded their dresses and stays, would have been clad in slips.

An Uncomfortable Style

You will be right to ask about Chapter 18’s authenticity. A missing chapter to a nationally beloved novel turning up shortly after the death of the author should always be suspect. However, in this case, there is no question of the text being a forgery, as there are living witnesses to the original manuscript with the chapter in place, including Sarah Forbes, the editor who asked for its removal.

Although Forbes wrote in her acceptance letter to Lindsay that she enjoyed the novel, she felt the story could use more ambiguity and was uncomfortable about the ending. “I’m very doubtful about the last chapter. On the whole, would prefer to omit it altogether.” In an interview with McCulloch, Forbes asserted that the decision to cut the chapter had been agreed on by the author: “We all discussed it and it seemed the right thing to do.”

Without being able to ask Lindsay, it is hard to know how to evaluate Forbes’ claim. The author’s friend and literary agent John Taylor, to whom she entrusted the typed pages of the cut chapter in 1972 and who published it in 1987, insisted in his commentary that Lindsay did intend it to be published one day. It was part of her original vision and clearly expressed spiritual truths that were important to her. “What artist wants to conceal an unflawed work?” But, Taylor claimed, despite her natural artistic wish not to excise part of her novel, she allowed herself to be persuaded by others: “She was meticulous in respecting the interests of those who were exploiting her work, and understood that it might have worked against those interests.”307Besides losing a very personal and important part of her story, the absence of the final chapter also had become a kind of Albatross for Lindsay by the time of her death. It left readers to concoct fictions of their own to solve the puzzle—those theories of Yvonne Rousseau, for instance—and all the demands for confirmation left her and Daryl with little peace during their old age. Taylor wrote: “Although she knew perfectly well that the huge success of both book and film had a lot to do with the mystery of ‘what really happened’, she had moments of wishing she had published the final chapter and saved herself the pestering.” Lindsay gave Taylor the copyright to the final chapter after Weir’s film came out, “as part of her general horrified reaction to the flood of demanding inquiries” about the true fate of the girls.308 As her literary agent, it was Taylor’s job to field the constant questions.

Thinking purely in terms of the bottom line, Forbes clearly made the right editorial decision, since the book would likely never have been as successful without the question mark it leaves in the reader’s mind. Taylor acknowledges this, keenly comparing the missing chapter to the Psalmist’s “stone rejected by the builders” that becomes the cornerstone of the edifice. Chapter 18 is “the previously invisible foundation stone on whose absence the Australian film industry built itself.”309 The missing Chapter 18 is, he notes, “totally unfilmable.” Still, despite Forbes’ implication that the decision to cut Chapter 18 was mutual, it appears to have been a very difficult one for Lindsay.

In a 2017 interview by Helen Goltz for the book No Picnic at Hanging Rock, Forbes recalled conversations with Taylor in 1984, after Lindsay’s death, about the possibility of publishing the missing chapter; she reiterated her earlier sentiments: “I didn’t like the final chapter, it was not written in the same style, it was an uncomfortable style and I don’t think the final chapter did the book any service to publish it.”310 Goltz herself seems to share Forbes’ discomfort with the chapter, agreeing with the decision to leave it out and finding it merely bizarre: “I suspect the reader will be more bewildered as to the outcome of the young women on reading The Secret of Hanging Rock.”311

These are clearly not fans of science fiction or the paranormal, nor readers of pop-shamanism like Castaneda (a genre that was, again, still in the future when Lindsay wrote her novel). Indeed, the core issue with Lindsay’s book is that, in its original form, it transgressed genres. Although Forbes may not have articulated it this way, Chapter 18 turned Picnic at Hanging Rock into some kind of supernatural Gothic mystery. Lindsay’s friend Adams called her novel “science fiction in crinolines instead of space suits.”312


Where Was It Before the Dream?

TIME LOOPS AND INTERPRETATION

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Eric Wargo