To be is to be contingent: nothing of which it can be said that "it is" can be alone and independent. But being is a member of paticca-samuppada as arising which contains ignorance. Being is only invertible by ignorance.

Destruction of ignorance destroys the illusion of being. When ignorance is no more, than consciousness no longer can attribute being (pahoti) at all. But that is not all for when consciousness is predicated of one who has no ignorance than it is no more indicatable (as it was indicated in M Sutta 22)

Nanamoli Thera
Showing posts with label Celine. Show all posts
Showing posts with label Celine. Show all posts

Tuesday, September 5, 2023

Could I, I thought, be the last coward on earth? How terrifying!

 Maybe our colonel knew why they were shooting, maybe the Germans knew, but I, so help me, hadn't the vaguest idea. As far back as I could search my memory, I hadn't done a thing to the Germans, I'd always treated them friendly and polite. I knew the Germans pretty well, I'd even gone to school in their country when I was little, near Hanover. I'd spoken their language. A bunch of loudmouthed little halfwits, that's what they were, with pale, furtive eyes like wolves; we'd go out to the woods together after school to feel the girls up, or we'd fire popguns or pistols you could buy for four marks. And we drank sugary beer together. But from that to shooting at us right in the middle of the road, without so much as a word of introduction, was a long way, a very long way. If you asked me, they were going too far.

This war, in fact, made no sense at all. It couldn't go on.

Had something weird got into these people? Something I didn't feel at all? I suppose I hadn't noticed it ...

Anyway, my feelings toward them hadn't changed. In spite of everything. I'd have liked to understand their brutality, but what I wanted still more, enormously, with all my heart, was to get out of there, because suddenly the whole business looked to me like a great big mistake.

"In a mess like this," I said to myself, "there's nothing to be done, all you can do is clear out ..."

Over our heads, two millimeters, maybe one millimeter from our temples, those long tempting lines of steel, that bullets make when they're out to kill you, were whistling through the hot summer air.

I'd never felt so useless as I did amid all those bullets in the sunlight. A vast and universal mockery.

I was only twenty at the time. Deserted farms in the distance, empty wide-open churches, as if the peasants had gone out for the day to attend a fair at the other end of the county, leaving everything they owned with us for safekeeping, their countryside, their carts with the shafts pointing in the air, their fields, their barnyards, the road, the trees, even the cows, a chained dog, the works. Leaving us free to do as we pleased while they were gone. Nice of them, in a way. "Still," I said to myself, "if they hadn't gone somewhere else, if there were still somebody here, I'm sure we wouldn't be behaving so badly! So disgustingly! We wouldn't dare in front of them!" But there wasn't a soul to watch us! Nobody but us, like newlyweds that start messing around when all the people have gone home. And another thought I had (behind a tree) was that I wished Déroulède[6]? the one I'd heard so much about?had been there to describe his reactions when a ball tore open his guts. Those Germans squatting on the road, shooting so obstinately, were rotten shots, but they seemed to have ammunition to burn, whole warehouses full, it looked to me. Nobody could say this war was over! I have to hand it to the colonel, his bravery was remarkable. He roamed around in the middle of the road, up and down and back and forth in the midst of the bullets as calmly as if he'd been waiting for a friend on a station platform, except just a tiny bit impatient.

One thing I'd better tell you right away, I'd never been able to stomach the country, I'd always found it dreary, those endless fields of mud, those houses where nobody's ever home, those roads that don't go anywhere. And if to all that you add a war, it's completely unbearable. A sudden wind had come up on both sides of the road, the clattering leaves of the poplars mingled with the sharp crackling sounds aimed at us from down the road. Those unknown soldiers missed us every time, but they spun a thousand deaths around us, so close they seemed to clothe us. I was afraid to move.

That colonel, I could see, was a monster. Now I knew it for sure, he was worse than a dog, he couldn't conceive of his own death. At the same time I realized that there must be plenty of brave men like him in our army, and just as many no doubt in the army facing us. How many, I wondered. One or two million, say several millions in all? The thought turned my fear to panic. With such people this infernal lunacy could go on for ever... . Why would they stop? Never had the world seemed so implacably doomed.

Could I, I thought, be the last coward on earth? How terrifying! ... All alone with two million stark raving heroic madmen, armed to the eyeballs? With and without helmets, without horses, on motorcycles, bellowing, in cars, screeching, shooting, plotting, flying, kneeling, digging, taking cover, bounding over trails, root-toot-tooting, shut up on earth as if it were a loony bin, ready to demolish everything on it, Germany, France, whole continents, everything that breathes, destroy destroy, madder than mad dogs, worshiping their madness (which dogs don't), a hundred, a thousand times madder than a thousand dogs, and a lot more vicious! A pretty mess we were in! No doubt about it, this crusade I'd let myself in for was the apocalypse!

You can be a virgin in horror the same as in sex. How, when I left the Place Clichy, could I have imagined such horror? Who could have suspected, before getting really into the war, all the ingredients that go to make up the rotten, heroic, good-for-nothing soul of man? And there I was, caught up in a mass flight into collective murder, into the fiery furnace ... Something had come up from the depths, and this is what happened.

The colonel was still as cool as a cucumber, I watched him as he stood on the embankment, taking little messages sent by the general, reading them without haste as the bullets flew all around him, and tearing them into little pieces. Did none of those messages include an order to put an immediate stop to this abomination? Did no top brass tell him there had been a misunderstanding? A horrible mistake? A misdeal? That some-body'd got it all wrong, that the plan had been for maneuvers, a sham battle, not a massacre! Not at all! "Keep it up, colonel! You're doing fine!" That's what General des Entrayes,[7] the head of our division and commander over us all, must have written in those notes that were being brought every five minutes by a courier, who looked greener and more shitless each time. I could have palled up with that boy, we'd have been scared together. But we had no time to fraternize. So there was no mistake? So there was no law against people shooting at people they couldn't even see! It was one of the things you could do without anybody reading you the riot act. In fact, it was recognized and probably encouraged by upstanding citizens, like the draft, or marriage, or hunting! ... No two ways about it. I was suddenly on the most intimate terms with war. I'd lost my virginity. You've got to be pretty much alone with her as I was then to get a good look at her, the slut, full face and profile. A war had been switched on between us and the other side, and now it was burning! Like the current between the two carbons of an arc lamp! And this lamp was in no hurry to go out! It would get us all, the colonel and everyone else, he looked pretty spiffy now. but he wouldn't roast up any bigger than me when the current from the other side got him between the shoulders. There are different ways of being condemned to death. Oh! What wouldn't I have given to be in jail instead of here! What a fool I'd been! If only I had had a little foresight and stolen something or other when it would have been so easy and there was still time. I never think of anything. You come out of jail alive, out of a war you don't! The rest is blarney. If only I'd had time, but I didn't. There was nothing left to steal. How pleasant it would be in a cozy little jailhouse, I said to myself, where the bullets couldn't get in. Where they never got in! I knew of one that was ready and waiting, all sunny and warm! I saw it in my dreams, the jailhouse of Saint-Germain to be exact, right near the forest. I knew it well, I'd often passed that way. How a man changes! I was a child in those days, and that jail frightened me. Because I didn't know what men are like. Never again will I believe what they say or what they think. Men are the thing to be afraid of, always, men and nothing else.

How much longer would this madness have to go on before these monsters dropped with exhaustion? How long could a convulsion like this last? Months? Years? How many?

Maybe till everyone's dead? All these lunatics? Every last one of them? And seeing events were taking such a desperate turn, I decided to stake everything on one throw, to make one last try, to see if I couldn't stop the war, just me, all by myself! At least in this one spot where I happened to be.

The colonel was only two steps away from me, pacing. I'd talk to him. Something I'd never done. This was a time for daring. The way things stood, there was practically nothing to lose. "What is it?" he'd ask me, startled, I imagined, at my bold interruption. Then I'd explain the situation as I saw it, and we'd see what he thought. The essential is to talk things over. Two heads are better than one.

I was about to take that decisive step when, at that very moment, who should arrive on the double but a dismounted cavalryman (as we said in those days), exhausted, shaky in the joints, holding his helmet upside-down in one hand like Belisarius,[8] trembling, all covered with mud, his face even greener than the courier I mentioned before. He stammered and gulped. You'd have thought he was struggling to climb out of a tomb, and it made him sick to his stomach. Could it be that this spook didn't like bullets any more than I did? That he saw them coming like me?

"What is it?" Disturbed, the colonel stopped him short; the glance he flung at that ghost was of steel.

It made our colonel very angry to see that wretched cavalryman so incorrectly clad and shitting in his pants with fright. The colonel had no use for fear, that was a sure thing. And especially that helmet held in hand like a bowler was really too much in a combat regiment like ours that was just getting into the war. It was as if this dismounted cavalryman had seen the war and taken his hat off in greeting.

Under the colonel's withering look the wobbly messenger snapped to attention, pressing his little finger to the seam of his trousers as the occasion demanded. And so he stood on the embankment, stiff as a board, swaying, the sweat running down his chin strap; his jaws were trembling so hard that little abortive cries kept coming out of him, like a puppy dreaming. You couldn't make out whether he wanted to speak to us or whether he was crying.

Our Germans squatting at the end of the road had just changed instruments. Now they were having their fun with a machine gun, sputtering like handfuls of matches, and all around us flew swarms of angry bullets, as hostile as wasps.

The man finally managed to articulate a few words:

"Colonel, sir, Sergeant Barousse has been killed."

"So what?"

"He was on his way to meet the bread wagon on the Etrapes road, sir."

"So what?"

"He was blown up by a shell!"

"So what, dammit!"

"That's what, colonel, sir."

"Is that all?"

"Yes, sir, that's all, colonel, sir."

"What about the bread?" the colonel asked.

That was the end of the dialogue, because, I remember distinctly, he barely had time to say

"What about the bread?" That was all. After that there was nothing but flame and noise. The kind of noise you wouldn't have thought possible. Our eyes, ears, nose, and mouth were so full of that noise I thought it was all over and I'd turned into noise and flame myself. After a while the flame went away, the noise stayed in my head, and my arms and legs trembled as if somebody were shaking me from behind. My limbs seemed to be leaving me, but then in the end they stayed on. The smoke stung my eyes for a long time, and the prickly smell of powder and sulfur hung on, strong enough to kill all the fleas and bedbugs in the whole world.

I thought of Sergeant Barousse, who had just gone up in smoke like the man told us. That was good news. Great, I thought to myself. That makes one less stinker in the regiment! He wanted to have me court-martialed for a can of meat. "It's an ill wind," I said to myself. In that respect, you can't deny it, the war seemed to serve a purpose now and then! I knew of three or four more in the regiment, real scum, that I'd have gladly helped to make the acquaintance of a shell, like Barousse.

As for the colonel, I didn't wish him any hard luck. But he was dead too. At first I didn't see him. The blast had carried him up the embankment and laid him down on his side, right in the arms of the dismounted cavalryman, the courier, who was finished too. They were embracing each other for the moment and for all eternity, but the cavalryman's head was gone, all he had was an opening at the top of the neck, with blood in it bubbling and glugging like jam in a kettle. The colonel's belly was wide open, and he was making a nasty face about it. It must have hurt when it happened. Tough shit for him! If he'd beat it when the shooting started, it wouldn't have happened.

All that tangled meat was bleeding profusely.

Shells were still bursting to the right and left of the scene.

I'd had enough, I was glad to have such a good pretext for making myself scarce. I even hummed a tune, and reeled like when you've been rowing a long way and your legs are wobbly. "Just one shell!" I said to myself. "Amazing how quick just one shell can clean things up. Could you believe it?" I kept saying to myself. "Could you believe it!" There was nobody left at the end of the road. The Germans were gone. But that little episode had taught me a quick lesson, to keep to the cover of the trees. I was in a hurry to get back to our command post, to see if anyone else in our regiment had been killed on reconnaissance. There must be some good dodges, I said to myself, for getting taken prisoner ... Here and there in the fields a few puffs of smoke still clung to the ground.

"Maybe they're all dead," I thought. "Seeing they refuse to understand anything whatsoever, the best solution would be for them all to get killed instantly ... The war would be over, and we'd go home ... Maybe we'd march across the Place Clichy in triumph ... Just one or two survivors ... In my dream ... Strapping good fellows marching behind the general, all the rest would be dead like the colonel ... Like Barousse ... like Vanaille (another bastard) ... etc. They'd shower us with decorations and flowers, we'd march through the Arc de Triomphe, We'd go to a restaurant, they'd serve us free of charge, we'd never pay for anything anymore, never as long as we lived! We're heroes! we'd say when they brought the bill ... Defenders of the Patrie! That would do it! ... We'd pay with little French flags! ... The lady at the cash desk would refuse to take money from heroes, she'd even give us some, with kisses thrown in, as we filed out. Life would be worth living."

As I was running, I noticed my arm was bleeding, just a little though, a far from satisfactory wound, a scratch. I'd have to start all over.

It was raining again, the fields of Flanders oozed with dirty water. For a long time I didn't meet a soul, only the wind and a little later the sun. From time to time, I couldn't tell from where, a bullet would come flying merrily through the air and sunshine, looking for me, intent on killing me, there in the wilderness. Why? Never again, not if I lived another hundred years, would I go walking in the country. A solemn oath.

(...)

From time to time one of us disappeared. That meant the case against him was ready and the court-martial would sentence him to a disciplinary battalion, to the front, or, if he was very lucky, to the Insane Asylum in Clamart.

More dubious warriors kept arriving, from every branch of service, some very young, some almost old, some terrified, some ranting and swaggering. Their wives and parents came to see them, and their children too, staring wide-eyed, on Thursdays. They all wept buckets in the visiting room, especially in the evening. All the helplessness of a world at war wept when the visits were over and the women and children left, dragging their feet in the bleak gas-lit corridor. A herd of sniveling riffraff, that's what they were; disgusting.

To Lola it was still an adventure, coming to see me in that prison, as you might have called it. We two didn't cry. Where would we have got our tears from?

"Is it true that you've gone mad, Ferdinand?" she asked me one Thursday.

"It's true," I admitted.

"But they'll treat you here?"

"There's no treatment for fear, Lola."

"Is it as bad as all that?"

"It's worse, Lola. My fear is so bad that if I die a natural death later on, I especially don't want to be cremated. I want them to leave me in the ground, quietly rotting in the graveyard, ready to come back to life ... Maybe ... how do we know? But if they burned me to ashes, Lola, don't you see, it would be over, really over ... A skeleton, after all, is still something like a man ... It's more likely to come back to life than ashes ... Reduced to ashes, you're finished! ... What do you think? ... Naturally the war ..."

"Oh, Ferdinand! Then you're an absolute coward! You're as loathsome as a rat ..."

"Yes, an absolute coward, Lola, I reject the war and everything in it ... I don't deplore it ... I don't resign myself to it ... I don't weep about it ... I just plain reject it and all its fighting men. I don't want anything to do with them or it. Even if there were nine hundred and ninety-five million of them and I were all alone, they'd still be wrong and I'd be right. Because I'm the one who knows what I want: I don't want to die."

"But it's not possible to reject the war, Ferdinand! Only crazy people and cowards reject the war when their country is in danger ..."

"If that's the case, hurrah for the crazy people! Look, Lola, do you remember a single name, for instance, of any of the soldiers killed in the Hundred Years War? ... Did you ever try to find out who any of them were? ... No! ... You see? You never tried ... As far as you're concerned they're as anonymous, as indifferent, as the last atom of that paperweight, as your morning bowel movement ... Get it into your head, Lola, that they died for nothing!

For absolutely nothing, the idiots! I say it and I'll say it again! I've proved it! The one thing that counts is life! In ten thousand years, I'll bet you, this war, remarkable as it may seem to us at present, will be utterly forgotten ... Maybe here and there in the world a handful of scholars will argue about its causes or the dates of the principal hecatombs that made it famous ... Up until now those are the only things about men that other men have thought worth remembering after a few centuries, a few years, or even a few hours ... I don't believe in the future, Lola ..."

When she heard me flaunting my shameful state like that, she lost all sympathy for me ... Once and for all she put me down as contemptible, and decided to leave me without further ado. It was too much. When I left her that evening at the hospital gate, she didn't kiss me. Evidently the thought that a condemned man might have no vocation for death was too much for her.

From: Journey to the End of the Night

by

LOUIS-FERDINAND CÉLINE


Sunday, March 8, 2020

Sunic - Louis-Ferdinand Céline—An Anarcho-Nationalist


In his imaginary self-portrayal, the French novelist Louis-Ferdinand Céline (1894–1961) would be the first one to reject the assigned label of anarcho-nationalism. For that matter he would reject any outsider’s label whatsoever regarding his prose and his personality. He was an anticommunist, but also an anti-liberal. He was an anti-Semite but also an anti-Christian. He despised the Left and the Right. He rejected all dogmas and all beliefs, and worse, he submitted all academic standards and value systems to brutal derision. Briefly, Céline defies any scholarly or civic categorization. As a classy trademark of the French literary life, he is still considered the finest French author of modernity—despite the fact that his literary opus rejects any academic classification. Even though his novels are part and parcel of the obligatory literature in the French high school syllabus and even though he has been the subject of dozens of doctoral dissertations, let alone thousands of polemics denouncing him as the most virulent Jew-baiting pamphleteer of the 20th century, he continues to be an oddity eluding any analysis, yet commanding respect across the political and academic spectrum. Can one offer a suggestion that those who will best grasp L. F. Céline must also be his lookalikes — the replicas of his nihilist character, his Gallic temperament and his unsurpassable command of the language?

Cadaverous Schools for Communist and Liberal Massacres

The trouble with L. F. Céline is that although he is widely acclaimed by literary critics as the most unique French author of the 20th century and despite the fact that a good dozen of his novels are readily available in any book store in France, his two anti-Semitic pamphlets are officially off limits there.

Firstly, the word pamphlet is false. His two books, Bagatelles pour un massacre (1937) and Ecole des cadavres (1938), although legally and academically rebuked as “fascist anti-Semitic pamphlets,” are more in line with the social satire of the 15th century French Rabelaisian tradition, full of fun and love-making than modern political polemics about the Jewry. After so many years of hibernation, the satire Bagatelles finally appeared in an anonymous American translation under the title of Trifles for a Massacre, and can be accessed online.

The anonymous translator must be commended for his awesome knowledge of French linguistic nuances and his skill in transposing French argot into American slang. Unlike the German or the English language, the French language is a highly contextual idiom, forbidding any compound nouns or neologisms. Only Céline had a license to craft new words in French. French is a language of high precision, but also of great ambiguities. Moreover, any rendering of the difficult Céline’s slangish satire into English requires from a translator not just the perfect knowledge of French, but also the perfect knowledge of Céline’s world.

Certainly, H. L. Mencken’s temperament and his sentence structure sometimes carry a whiff of Céline. Ezra Pound’s toying with English words in his radio broadcasts in fascist Italy also remind a bit of Céline’s style. The rhythm of Harold Covington’s narrative and the violence of his epithets may remind one a wee of Celine’s prose too.

But in no way can one draw a parallel between Céline and other authors—be it in style or in substance. Céline is both politically and artistically unique. His language and his meta-langue are unparalleled in modern literature. To be sure Céline is very bad news for Puritan ears or for a do-good conservative who will be instantly repelled by Céline’s vocabulary teeming as it does with the overkill of metaphorical “Jewish dicks and pricks.”

Trifles is not just a satire. It is the most important social treatise for the understanding of the prewar Europe and the coming endtimes of postmodernity. It is not just a passion play of a man who gives free reign to his emotional outbursts against the myths of his time, but also a visionary premonition of coming social and cultural upheavals in the unfolding 21st century. It is an unavoidable literature for any White in search of his heritage.

These weren’t Hymie jewelers, these were vicious lowlifes, they ate rats together . . . They were as flat as flounders. They had just left their ghettos, from the depths of Estonia, Croatia, Wallachia, Rumelia, and the sties of Bessarabia . . . . The Jews, they now frequent the guardhouse, they are no longer outside… When it comes to crookedness, it is they who take first place . . . All of this takes place under the hydrant! with hoses as thick as dicks! beside the yellow waters of the docks… enough to sink all the ships in the world . . . in a décor fit for phantoms . . . with a kiss that’ll cut your ass clean open . . . that’ll turn you inside out.

The satire opens up with imaginary dialogue with the fictional Jew Gutman regarding the role of artistry by the Jews in the French Third Republic, followed by brief chapters describing Céline’s voyage to the Soviet Union.

Between noon and midnight, I was accompanied everywhere by an interpreter (connected with the police). I paid for the whole deal. . . . Her name was Natalie, and she was by the way very well mannered, and by my faith a very pretty blonde, a completely vibrant devotee of Communism, proselytizing you to death, should that be necessary. . . . Completely serious moreover…try not to think of things! …and of being spied upon! nom de Dieu! . . . . The misery that I saw in Russia is scarcely to be imagined, Asiatic, Dostoevskiian, a Gehenna of mildew, pickled herring, cucumbers, and informants. . . . The Judaized Russian is a natural-born jailer, a Chinaman who has missed his calling, a torturer, the perfect master of lackeys. The rejects of Asia, the rejects of Africa. . . . They were just made to marry one another. . . . It’s the most excellent coupling to be sent out to us from the Hells.

When the satire was first published in 1937, rare were European intellectuals who had not already fallen under the spell of communist lullabies. Céline, as an endless heretic and a good observer refused to be taken for a ride by communist commissars. He is a master of discourse in depicting communist phenotypes, and in his capacity of a medical doctor he delves constantly into Jewish self-perception of their physique . . . and their genitalia.

The peculiar feature of Céline narrative is the flood of slang expressions and his extraordinary gift for cracking jokes full of obscene humors, which suddenly veer off in academic passages full of empirical data on Jews, liberals, communists, nationalists, Hitlerites and the whole panoply of famed European characters.

But here we accept this, the boogie-woogie of the doctors, of the worst hallucinogenic negrito Jews, as being worth good money! . . . Incredible! The very least diploma, the very least new magic charm, makes the negroid delirious, and makes all of the negroid Jews flush with pride! This is something that everybody knows. . . . It has been the same way with our own Kikes ever since their Buddha Freud delivered unto them the keys to the soul!

Mortal Voyage to Endtimes

In the modern academic establishment Céline is still widely discussed and his first novels Journey to the End of the Night

and Death on the Installment Plan

are still used as Bildungsromane for the modern culture of youth rebellion. When these two novels were first published in the early 30s of the twentieth century, the European leftist cultural establishment made a quick move to recuperate Céline as of one of its own. Céline balked. More than any other author his abhorrence of the European high bourgeoisie could not eclipse his profound hatred of leftist mimicry.

Neither does he spare leftists scribes, nor does he show mercy for the spirit of “Parisianism.” Unsurpassable in style and graphics are Céline’s savaging caricatures of aged Parisian bourgeois bimbos posturing with false teeth and fake tits in quest of a rich man’s ride. Had Céline pandered to the leftists, he would have become very rich; he would have been awarded a Nobel Prize long ago.

In the late 50’s the burgeoning hippie movement on the American West Coast also tried to lump him together with its godfather Jack Kerouac, who was himself enthralled with Céline’s work. However, any modest reference to his Bagatelles or Ecole des Cadavres has always carefully been skipped over or never mentioned. Equally hushed up is Céline’s last year of WWII when, unlike hundreds of European nationalist scholars, artists and novelists, he miraculously escaped French communist firing squads or the Allied gallows.

His endless journey to the end of the night envisioned no beams of sunshine on the European horizon. In fact, his endless trip took a nasty turn in the late 1944 and early 1945, when Céline, along with thousands of European nationalist intellectuals, including the remnants of the French pro-German collaborationist government fled to southern Germany, a country still holding firm in face of the oncoming disaster. The whole of Europe had been already set ablaze by death-spitting American B17’s from above and raping Soviet soldiers emerging in the East. These judgment day scenes are depicted in his postwar novels D’un château l’autre (Castle to Castle (French Literature) and Rigadoon

Céline’s sentences are now more elliptic and the action in his novels becomes more dynamic and more revealing of the unfolding European drama. His novels offer us a surreal gallery of characters running and hiding in the ruins of Germany. One encounters former French high politicians and countless artists facing death—people who, just a year ago, dreamt that they would last forever. No single piece of European literature is as vivid in the portrayal of human fickleness on the edge of life and death as are these last of Céline’s novels.

But Céline’s inveterate pessimism is always couched in self-derision and always stung with black humor. Even when sentenced in absentia during his exile in Denmark, he never lapses into self pity or cheap sentimentalism. His code of honor and his political views have not changed a bit from his first novel.

Upon his return to France in 1951, the remaining years of Céline’s life were marred by legal harassment, literary ostracism, and poverty. Along with hundreds of thousands Frenchmen he was subjected to public rebuke that still continues to shape the intellectual scene in France. Today, however, this literary ostracism against free spirits is wrapped up in stringent “anti-hate” laws enforced by the thought police— 70 years after WWII! Stripped of all his belongings, Céline, until his death, continued to use his training as a physician to provide medical help to his equally disfranchised suburban countrymen, always free of charge and always remaining a frugal and modest man.

From The Occidental Observer, March 24, 2010, http://www.theoccidentalobserver.net/authors/Sunic-Celine.html