To be is to be contingent: nothing of which it can be said that "it is" can be alone and independent. But being is a member of paticca-samuppada as arising which contains ignorance. Being is only invertible by ignorance.

Destruction of ignorance destroys the illusion of being. When ignorance is no more, than consciousness no longer can attribute being (pahoti) at all. But that is not all for when consciousness is predicated of one who has no ignorance than it is no more indicatable (as it was indicated in M Sutta 22)

Nanamoli Thera
Showing posts with label Schwartz. Show all posts
Showing posts with label Schwartz. Show all posts

Friday, October 18, 2024

Ossowiecki

 For all their power, however, Ossowiecki's psychic skills were erratic and, by his own admission, would have been "wasted" on little more than parlor shows if the Russian railway schedules had been different. In 1898, when he was twenty-one years old and in his fourth year at the St. Petersburg Institute, one of his final assignments was to study the making of paper. Oddly, the subject held a real interest for him, sufficient, in fact, for him to write another Pole living in Russia, Antoni Stulginski, the director of a paper factory, and ask if he might visit his plant in Dobruz. Because no train ran direct from St. Petersburg to Dobruz, Ossowiecki found himself in the railway station of the town of Homel with several hours at his disposal.

In answer to his query, "What is there to see in Homel?" the stationmaster had only two suggestions: a statue and a visit to "a locally famous person to whom the greatest dignitaries of Russia came for advice." Ossowiecki took this last as typical civic hyperbole, but was intrigued enough to ask further questions, thus learning that the man's name was Wrobel, and that he was "an old Jewish yoga who had spent all of his life in India studying secret knowledge" before he "returned to the city of his birth at a very advanced age to `die at home."'

Surprisingly, Ossowiecki had no real interest in meeting this man. Despite his youth, he had no burning questions about life he wanted answered, nor did he feel the need for guidance. He knew who he was, how he fitted into the social scheme, and what he wanted to do. It never occurred to him to ask about his unusual abilities. But "for lack of anything to do," he decided to go into Homel's suburbs in search of the house where the mystic lived. He took the matter more seriously when he got there and opened the door to the small wooden house. The stationmaster had not been exaggerating; there in the foyer were "two very famous personages" who had come for consultations.

Looking at Ossowiecki, they saw a rather handsome six-foot-tall blue-eyed young man with light-colored hair. From his clothes and manner it was obvious that he was a gentleman and so they spoke to him, learned he was just passing through, and "gallantly allowed me to go ahead of them. I shall never forget that moment."

"I enter. On the bed there rests an ancient man. Head of a patriarch. Subtly chiseled Semitic features. Spirituality manifesting itself through the eyes. Long, white beard."

Despite his psychic abilities, Ossowiecki in those days did not believe in clairvoyance, and though impressed by Wrobel's appearance, he admitted his whole posture "was that of skepticism." He was completely unprepared for what the old man did.

"Upon seeing me—even before I had a chance to introduce myself—he extended a skinny arm toward me ... looked me straight in the eye and said, simply, `Your name is Stefan.'

Then he proceeded to describe "my past and future in minute detail. You must realize this was before the war [World War I and the Russian Revolution of 1917], in a completely different political system. Then much of what he said seemed improbable ... it created a feeling of some dreadful nightmare. And yet, he saw all that happened later: the fall of then unquestioned powers, the oceans of blood, heroism, sacrifice of human lives, terror, fear and separation. He sketched for me the whole skeleton of political games, nationalistic battles, and victory. He talked about all this which I later encountered, took part in, and was shocked by. All that affected the fate of my life ... foreseeing even my inner reactions which I myself could not have then predicted ... Without any information forthcoming from myself he said then, `You see auras around people.' I asked naively, `What is an aura?'

By the time he had to leave to catch his train, "in an old man, demolished by an ascetic life," Ossowiecki had found his first and only real teacher.

To complete his degree in chemical engineering Ossowiecki had to put in a period of practical work. There was never any question of what he would do. He moved to Dobruz and began assisting Stulginski in his paper factory. But, as would be true all his life, his outward work was entirely secondary. His real motivation was spiritual and sometime in 1899 he apprenticed himself without reserve to the dying Jew.

"I would spend every free moment with him, not to mention all Sundays, ... which passed almost unnoticed in long ... discussions ... and exercises ... the concentration of thought and will .. . which bridged the way from the conscious to the superconscious state."

Under Wrobel's tutelage Ossowiecki learned the yoga skills of visualization and concentration on a single object. It was a torturous experience but exhilarating at the same time and gradually "I conquered time and space" and finally reached a stage when "myself as myself seemed not to exist. I understood, then, that I had crossed the border of average human consciousness. My visions were `super- conscious.

His teacher explained to him that the superconscious was very different from the subconscious, which "is a state in which our will does not participate. Our dreams, for instance, are a manifestation of the subconscious and sometimes they have an almost prophetic character.... Superconsciousness, however, is a higher level of organization. It requires the necessary presence of a new element—the element of spirit, of trained will. For superconsciousness the barriers of time and space do not exist...."

From Wrobel Ossowiecki also learned the arts of psychometry, the use of objects to focus the superconscious mind so that the object becomes a kind of psychic bannister allowing the sensitive to move along a single thread in time's skein.

For two months, and possibly longer, the man he called "my Master" worked with Ossowiecki. Although the actual time was short, it had an almost unworldly intensity. More than that—it was effective: A wild powerful native talent was transformed into a coherent highly disciplined skill whose limits were never fully explored. It had been for Ossowiecki the major spiritual experience of his life, and what he became under Wrobel's guidance was to make his experiments in psychic archaeology, four decades later, unequaled in the history of this method of searching man's past.

Surprisingly, however, Ossowiecki did not become outwardly esoteric or mystical and for many years only practiced his skills intermittently. He moved back to Moscow, probably shortly after the beginning of the new century, and took his place as a regular member of the city's society. Before he was thirty he had established the external pattern he would follow all his life. He loved good food (indeed, soon became stout as a result), good wine, lovely women, creative artists in any field, but particularly writers, and parties where there was lively conversation. He knew everyone. Though the capital was in St. Petersburg and he was mostly in Moscow, he became close to the Czar, the Imperial family, men like Tolstoy, as well as unknown artists, dukes, even workmen in the chemical industry.

And, if prevailed upon, he would exhibit his psychic abilities, particularly his telekinetic strength, moving all manner of things—including a grandfather clock. The feats were so unprecedented that "while I moved these objects, there were many cases of common hysteria ... even among men." Such reactions are not hard to understand when one pictures the scene: a relaxed gathering of Moscow society, replete with food, a little tight on vodka and wine, standing around Ossowiecki, the men in white tie or dress uniform, the women in sumptuous gowns and jewels, all of them watching an event that contradicted everything they had ever learned of nature and reality.

For all the public acclaim these performances brought him, Ossowiecki himself in later years had little interest in such feats. He talked little of these early paranormal demonstrations, and much else of this period is also blank. One can only speculate, for instance, that since he was close to the imperial family he must at least have met the most famous psychic ever to come out of the Russian Empire, Grigori Efimovich, known to the world as Rasputin. But Ossowiecki is silent. All that is certain is that his father died in 1915 and that Stefan, at the age of thirty-eight, became the owner and principal director of what had developed into a very large chemical works. He was now a genuinely rich man, but strangely his entire Russian period appears like an interlude—a pleasant space between his time with Wrobel and what was to come. The revolution that ended the Romanov dynasty freed Ossowiecki of the encumbrance of wealth. Nothing was left to tie him to Russia. Although outwardly everything had gone to pieces and worse was yet to come, to Ossowiecki, whose real life was entirely within, this was the second great awakening.

"A tremendous breakthrough in my psyche, a breakthrough which increased my spiritual awareness and consequently my powers.... I was arrested in Moscow toward the end of the year 1918 [the reasons probably being his wealth, ownership of an industry, and friendship with the Czar and his court]. This brought with it a long term in prison with the prospect of execution by firing squad."

Wrobel had told him this would happen, but not the final outcome, perhaps because such things are not predestined but affected by the consciousness and will of the participants. Thus the experience and the possibility of death were both frighteningly real to Ossowiecki:

"The forced isolation brought the opportunity to think through many things; to ponder the broadness of spiritual horizons; to deepen one's spiritual personality in order to gain solace on the threshold of death.

"Death passed me by but what did remain was the faith, the understanding of higher, immortal life for which, unconsciously perhaps, all yearn. Even those without faith. It was then that I began to fully value this gift given me by the creator and I understood that by utilization of it I could help others."

Sometime in 1919, at the age of forty-two, almost penniless after confiscation of all his Russian holdings, having nothing but his profession, his mother, and his sister Victoria, his surviving friends, and most important, his psychic gifts, Stefan Ossowiecki left Moscow to return to a Poland he knew only as a visitor, whose language he spoke ungrammatically and with a heavy Russian accent. Poland, which itself had been barely restored to nationhood, for the first time since 1795. Left behind in Russia, along with all his possessions, were his telekinetic powers; he had transformed them while in prison to the almost unequaled powers of clairvoyance that were soon to make him the first scientifically studied traveler in time.

By 1920, thanks to his personality, friends, and training, Ossowiecki had found his place in Warsaw, and although he would never again be wealthy, he had enough to live comfortably. For the rest of his life money was of secondary interest. And even when he had it, he seemed little interested in keeping it. Always an easy touch, if he had funds, he would invest in a company to help a friend or just lend the money outright. Usually the company failed or the loan went unrepaid.

What he specifically would not do was charge for his psychic skills, which were now so much in evidence. Wrobel had warned him of this years before. At the time the words had been largely meaningless; there was no temptation, for his family was rich. To make money from psychic talents would have been unnecessary and, worse, unseemly. During his stay in prison when he was faced with poverty, however, this appears to have been one of the issues Ossowiecki considered. When all had been lost, the temptation was suddenly there, particularly since he now had developed such extraordinary clairvoyant abilities. But after his release, even in his first weeks in Warsaw, he did not succumb. He would say later, "I am of the opinion that the domain of the spirit cannot be mixed with monetary considerations because the pure, abstract value would be lessened.... I have a vocation which gives me work and assures my existence. I strictly separate these two areas of myself and professional engineer Ossowiecki, the man of business, has nothing in common with Ossowiecki, the spiritual seer."

Just how strongly he felt about this issue is revealed in a story told by Marian Swida, the man who became his stepson. "In 1938, when things were becoming unsettled and finances were not so good, Eugene Rothschild of the Vienna line, the family of bankers, financiers, came to him  ... secretly, very privately, in a private airplane ... a rare thing in those days. He asked Ossowiecki to make an experiment, to see if he could locate some family papers. I do not know all the details ... only that Ossowiecki said that there were millions and millions involved. Rothschild asked only, `Was it stolen?' Ossowiecki said `yes.' He next asked, `By whom?' Ossowiecki replied, `By a daughter of your butler and they are in London.' He then said where they were in London, where the papers were. They checked ... everything was found, just as Ossowiecki had said! A check arrived, signed by this Rothschild, to my stepfather, to write himself any amount. The money would have been helpful at that time. But he would not do such a thing as this. He returned the check saying money was not the purpose for which he performed such experiences."

But if Ossowiecki was uninterested in using his gift to make money, he was most interested in using it to help others. He scheduled his business life so that he had time between engineering consulting assignments to meet with those whose problems might be eased by his insight. Always using an object as a psychic focal point, he would answer queries and offer guidance. Although he would not take money, there was one thing he would accept, often just to get grateful people to give up on the matter of payment. He liked a souvenir, a memento of the experience, particularly the guide object he had used.

These personal consultations though were not enough. Also as a result of his prison experience Ossowiecki felt a need to be scientifically tested-not because he had any doubts about his ability to show off for scientists, but because he hoped that in testing him these researchers would alter their view of the world. Consequently, in Warsaw and in Paris, to which he traveled every year throughout the 1920s, and in Germany, which he also visited frequently, he let it be known that he would entertain any request seriously presented to him by a responsible scientist. This sentiment went out through what had become a truly astonishing network of friends, a list of virtually all the leading minds in the arts, sciences, and aristocracy. (Only politicians were not well represented; Ossowiecki was never politically oriented, perhaps because Wrobel had described in detail how ephemeral European political fortunes would be during the psychic's lifetime—and how irrelevant in any case.) The response was immediate. As early as 1920 he met Professor Gustave Geley, one of the great French pioneer parapsychologists. This meeting was soon followed by others such as (a partial list): Nobel Prize-winning physiologist Professor Dr. Charles R. Richet, also of France; Theodore Besterman, Lord Charles Hope, Miss A. Reutiner, E. J. Dingwall, all of Great Britain; Baron Dr. von Schrenck-Notzing and Dr. M. Gravier of Poland.

There were many experiments; indeed, the studies conducted with Ossowiecki, if collected between covers without commentary, would make a substantial volume. Basically, however, they fell into the two major categories of research being done in Europe at that time: astral projection, the movement of one's consciousness to a point different from the body's point of view; and reading messages secreted in sealed envelopes, metal tubes, and boxes. What all this determined was that Ossowiecki was not in any way a medium (a spiritualist), nor was he ever fraudulent. Most important of all, it was found that Ossowiecki, unlike most other psychics, had absolute control over his talents and could turn them on and off at will, as well as provide a uniformly high standard of performance. This was (and is) so rarely encountered that the researchers studying him had no explanation as to why he could do this and other psychics could not. Ossowiecki, however, gave them an answer.

He made it clear to anyone who would listen that he was not so much a psychic as a man deeply committed to a spiritual pilgrimage in his inner life.' Because of this, he happened to be psychic. He explained that there was a difference between being a man seeking enlightenment, for whom the psychic is a kind of byproduct, and being a person seeking psychic ability as an end in itself. He himself was obsessed not with the psychic but with the true nature of consciousness, the human will, and the relationship these had to man's destiny. Unfortunately, such words apparently had little impact on those who heard them, and it would have been a violation of his principles for Ossowiecki ever to push his philosophy on anyone else. It would also have been out of character.

Ossowiecki had built the public persona of a slightly eccentric gentleman who enjoyed the best that was offered in a Warsaw rapidly becoming one of Europe's most sophisticated cities—"the Paris of Eastern Europe." He wore his father's large gold pocket watch, but never remembered to wind it. And he could (and more than once did) invite a prince for dinner, forget he had done so, show up uninvited at a friend's, under the mistaken assumption that they expected him, be happily invited in anyway, only to receive a call from a second friend asking where he was, go there, and just be sitting down to table when his maid called saying the prince had gotten tired of waiting and had gone off before the master could be located.

And when he did do an experiment, more often than not it was after dinner dishes had been cleared. He did not like people to stare, or treat him with awe, and if they did so, he would stop and tell them to talk or play the piano. Nor, except with very few people, could he be dragged into a discussion about spiritual philosophy—a popular topic among the upper classes of the day. But if he appeared a "hail fellow," he still always made sure to provide serious researchers with what they needed: results. And these were such that in the book Our Sixth Sense, which the Nobel laureate Professor Richet would write about his years as a parapsychologist, after describing many other psychics, he would say, "It would seem . .. that there would be nothing more to add, or rather it would be impossible to find better.

"Well! There is better.

"If any doubt concerning the sixth sense remains ... this doubt will be dissipated by the sum total of the experiments made by Geley, by myself, and by others, with Stefan Ossowiecki ... the most positive of all psychics."

Surprisingly, however, although he was studied by every leading researcher in the field (indeed, no psychic has ever been studied so thoroughly and by so eminent a group of men and women as Ossowiecki), only a few brief and superficial experiments into the past were ever tried in this period from 1920 to 1935.

The reason for this lapse is both simple and revealing of how psychic researchers approach the psychic. Clairvoyance was then explained as some form of telepathy and telepathy was considered nothing more than an unknown form of radio waves. Strange, admittedly, but to science, the explanation least harmful to its world view. Similarly, psychometry was seen as only a variation of telepathy in which, for a short space of time, the thought waves of a person were impressed upon an object in some way, much as an iron

bar can be magnetized. The sensitive was just that; he read the object by being sensitive to its thought impregnations. Obviously, with this theoretical base, experiments involving actual movement in time, which would have been devastating to science's assumptions, were not often attempted. And the few experiments carried out in contacting the past seemed to support this theoretical position. If the length of time was greater than a few decades, the information always seemed to come from spiritualist sources.

Survivalism, which until the 1940s was the third great interest of psychic research, was not paranormal time travel. It involved an entirely different issue—whether the personality survived corporeal death. Thus it was not exceptional to find parapsychologists who believed on the one hand that it was impossible for a living man to travel backward in time beyond, say, a normal life expectancy (traveling forward involved living people and thus could be explained as telepathy) while, on the other hand, believing with equal conviction that there was personality survival after death. It was for them an apples and oranges proposition.

Ossowiecki, since he was primarily a seeker of nonintellectual supersensible knowledge as opposed to being a kind of paranormal technician, did not agree with this. He "knew" that while the theory of survivalism was valid, the accepted explanation for telepathy was not. Time and space were not the limitations science thought them to be. But he could not think of an experimental protocol that would make this point, one that could withstand the charge of the thought-wave explanation. In 1935, however, he found he didn't have to think up an experiment; it was presented to him already set up, and its results would set in motion the last and greatest research epoch of his life.

A wealthy Hungarian by the name of Dionizy Jonky had died in 1927, leaving among his effects a small package measuring 7 by 4.5 by 4 centimeters. It weighted 59.5 grams (just a little over 2 ounces) and was about as big as a man's fist. To add to the mystery, its contents had obviously been carefully sealed against observation. The package was wrapped in fabric, sewn tight, tied in cruciform fashion with string, and the seams and ends of the string were secured with sealing wax.

Only when Mr. Jonky's will was opened did the purpose of this odd little bundle come to light. The Hungarian had always been interested in the psychic, and he too questioned whether there might not be more to paranormal awareness than the wave theory. Consequently, he had prepared an experiment. To test the wave explanation, he stipulated that the package should remain sealed and that no psychic attempt to determine its contents should be carried out until eight years after his death. By then, any putative wave energy should have dissipated. And if the information source was a dead person, presumably the kind of psychic to discover its contents would be a medium. In any case, Jonky said in his will that no one had seen what he had put inside the package, and after eight years any psychic who wished to could try to divine what the box held, as long as his answers were carefully witnessed and recorded. Those charged with seeing that these terms were carried out followed them scrupulously; not until 1935 did the research begin.

Ossowiecki was approached last on the matter, after "the best of Europe's clairvoyants" had already tried. A committee of researchers came to him that January and he, of course, consistent with his policy, immediately accepted. He was told nothing of the package's background, not even Jonky's name. The question: Can you determine what is inside this? was his only information. Fifty people, mostly scientists, were present when he made his attempt, beginning the proceedings by looking at fourteen photographs arranged on a table and selecting the one of Mr. Jonky, "a man whom I had never met," he would say later.

Six individuals then stationed themselves next to Ossowiecki, and never moved beyond arm's distance of his side until he was through. Everything he said was "taken down and later signed by the whole committee."

"After ten minutes of concentration I stilled my consciousness and moved to the realm of the superconscious. I began to speak." The following are his exact words.

"Interesting and convoluted story. I see the owner of this object. He's long dead now. He was successful in life; he had his own house. It was a man of advanced years, with a white beard ... worried. A man of large spiritual seances, read, wrote, traveled a lot. This package found its way into the hands of another older gentleman who looks like Professor Gravier [Ossowiecki's friend]. "But you had it!" Ossowiecki said, addressing Professor Grav¬ier, who was one of the committee. "I see it in your place on top of a wardrobe with some boots.

"There are some pieces here ... several ... two ... three .. more. They are minerals of some sort. Stone .. . metal. Color is gray-brown, something like lime and iron ores ... volcanic minerals. All this was once in the hands of some young girl.

"There is something here that pulls me to other worlds ... to another planet.... It's a great world ... it has no similarities to ours. It hurtles with dizzying speed through endless space. Much fire .. . it collides with another body ... cosmic catastrophe. Tears away ... tears apart. Showers into small fragments. They fly ... they speed, they fall in many places on earth. These are fragments of a meteorite.

"This experiment was thought up especially for me. Perhaps it was at one time intended as two experiments because it draws me in two directions. The elderly gentleman had some sugar ready and nearby was a box of minerals. In one sugar ... in the other meteorites. At first, I clearly felt meteorites but also the presence of sugar. I can't say anything more."

Ossowiecki had been asked only for a prediction of what was in the package; he had given that, plus a re-creation of the events leading up to its preparation, and what had taken place up to the time he was first shown the target object. If he was right, the theory espoused by Richet and others was demolished. Without further delay the seals and wrappings were broken.

The report concludes by saying, "All this from beginning to end was verified. Indeed, the package contained meteorites and the paper in which it was wrapped was originally confectionery wrap and still had traces of powdered sugar and a Hungarian word meaning bonbons.

"Mr. Ossowiecki recreated then not only the nucleus of the package but also its surroundings.

"Because of the prolonged time since the death of Mr. Jonky until the experiment took place, the notion that clairvoyance is a sort of telepathy must be abandoned." Twenty psychics of various nationalities had tried to solve the riddle but only the Polish seer "was able to unlock this secret with 100 percent success."

The implications of this were not lost on those concerned with studying the past. Within months Ossowiecki was approached by a committee of historians and other scholars and asked to perform an experiment that was to take him the final step toward psychic archaeology. Their question: Could Ossowiecki determine what Nicholas Copernicus (1473-1543), the most famous Pole in history,

looked like? Surprisingly, up until 1935 no one knew the lineaments of the remarkable Pole. There were a number of portraits identified as Copernicus, but they did not agree.

Ossowiecki asked that the available paintings and drawings be brought to him and he made a selection. The scholars would have been happy with just that but, using the portrait that he said was the correct one, and that he further indicated had been painted by Copernicus himself, he went on to re-create the life of this physician, administrator, and mathematician—the man whose work on astronomy, De Revolutionzbus, had caused one of the major scientific revolutions in history. It was all taken down and the scholars left to check Ossowiecki's words. Every detail that could be traced proved to be absolutely accurate, including the fact that the scientist had had a sister.

This validated psychic venture, back almost five hundred years in time, did more than solve a specific problem about Copernicus. It established that Ossowiecki truly was a psychic time traveler; thus his claim that time and space did not exist in the superconscious state had to be taken seriously. Here was a phenomenon very different from the Bond experiments, which the Poles may well have known about since Bond's books had been in print for some years and Bond had known the parapsychologists, particularly the English ones, who had studied Ossowiecki, Bond had gotten his information from a source apparently other than himself, much as a man who tunes into a radio station. Ossowiecki, on the other hand, actually seemed personally to go back in time, even as his physical body sat in a twentieth-century room.

He told his friends that while he did not go into a trance, when he moved into his superconscious mind, this became his primary level of awareness and the room, even his own body, faded to a kind of shadow state. When the shift occurred, it was as if he were looking at a movie running in reverse; that is, from most recent to more distant events of the past. When he chose, he could freeze this reverse action. As that happened, it was as if he were suddenly in an airplane, first seeing a sort of broad overview, and then going lower until he was approximately at a point of view where his eye would normally be if he were physically standing on the spot he had chosen in the past. At this stage the action would begin again, only now going forward as it should. From then on, it was as if Ossowiecki were some kind of science fiction spy-eye under long-distance control. He could go anywhere he wanted and see anything in the scene he desired; all the while a part of his mind knew that he was sitting in his study or someone's house in Warsaw.

At first the potential Ossowiecki offered was too awesome; no one quite knew what to make of this opportunity, the parapsychologists least of all. Finally, Witold Balcer, an old friend who was not a psychic researcher but an engineer like Ossowiecki, became interested in the idea. It was he, and not one of the many scholars around Ossowiecki, who was to make the first rudimentary usage—excepting the relatively modern and limited experiment on Copernicus—of the seer's skills in psychic archaeology. Balcer himself, though, did not really expect success. He had talked with Ossowiecki about the matter, and he knew from the psychic about the commentaries of Dr. Rudolf Steiner, the Austrian philosopher, scientist, and founder of the General Anthroposophical Society in Switzerland. Steiner had spoken at length, but only in a general philosophic way, about past cultures based on knowledge that he said derived from supersensible awareness. Because of these conversations Balcer was willing to accept the idea that some sort of generalized record along the lines of racial memory might exist. But that was quite another thing from psychic time travel, in which the sensitive actually viewed an event that had taken place thousands of years in the past in the same detail as if he were physically present. Balcer believed—but he still wasn't sure. Nor, for this reason, was he entirely clear about how to conduct the experiment.

He finally settled on a kind of hybrid protocol. He decided to have a friend prepare another of those sealed boxes that litter the psychic research landscape of the period. Balcer was to be aware in an overall way of the content, but was not to have seen it, nor have any specific details on the matter. In this way, even if Ossowiecki could not provide a reconstruction, if he could successfully name the artifact and describe it, the event would still qualify as a responsible double- blind experiment.

On the appointed night, Thursday, February, 14, 1935, Ossowiecki and a small group of friends journeyed out to the Saska Kepa suburb of Warsaw on the east bank of the Vistula River for a dinner at No. 21 Obroncow Street. Ossowiecki had not felt well that day and wasn't sure he could do the experiment, but finally, at 11 P.M., as dinner was being finished, he said he would give it a try. He took the paper-wrapped box in his right hand, cautioned his friends to continue their conversation, and while they went through the motions of casual chatter, for about fifteen minutes Ossowiecki appeared lost in thought. Suddenly he began to speak. What transpired was carefully recorded by Balcer:

"I see a metal foil box. Its surface is reflective. The inside is brownish, wrapped in paper and cotton. Something like wood or stone. Something petrified. This is something very old and it originated several thousand years ago. Before the birth of Christ. This was unearthed by some scientific expedition. I see people in white pith helmets directing this excavation. Around sand and rocks. This is in some hot country. This object was a portion of some bigger object and served or was connected with some cult or religious procedure ... wedding ... or funeral. Yes, this was connected with a funeral. But what is it in fact? It's some figure ... or idol. I don't understand. I see some fires, like torches, some strange people who bow in front of this or are praying. What is it? This object has some fibers, knots, in places as though it were covered with strips of fabric.”

Ossowiecki seemed to retreat into himself, then said distinctly, "I can see now what this is ... it is a petrified human foot!"

When he had regained his normal consciousness he found a roomful of people visibly straining to unwrap the box. Balcer took it from the psychic's hands and unpacked it. "Revealed to our eyes," said Balcer "was a shiny metal box and inside it, carefully wrapped in cotton and white tissue, a mummy foot. Rather small, most likely female, brownish in color. In some places tendons were visible and toe bones as well as traces of the fabric bandage in which it had once been wrapped." Suddenly the room erupted in conversation. Balcer explained that he had known only that it was part of a mummy that a friend of a friend had recovered in Egypt around 1927 almost eight years earlier.

Ossowiecki had been accurate again on every point, but was so curious that he wished "once more to lift at least the corner of the mysterious veil which covered a happening thousands of years old." Another experiment with the mummy's foot was arranged for a little over a month later, March 18, 1935. Again, Balcer kept his careful record:

"Mr. Ossowiecki felt very good that evening. He took the box (unwrapped, of course) with the mummified foot and after just a few minutes crossed the border of normal seeing but did not seem removed from us. His face assumed the look of highest concentration and appeared inspired, as though illuminated by some inner light. I had never seen him look quite like this. I was under the impression that his face really emanated light of some kind.

"After a while he began to talk... .

"`I'm now entering this far, unknown world. Ah! This is so long ago. Thousands of years divide us. I see clearly this woman, her whole life. She is olive-skinned, young, pretty. She has a slightly hooked nose, a pleasant facial expression. She's dressed in a white ... translucent ... long garment. On her ankles and wrists she wears gold bracelets. Around the neck decorations of gold and silver. Hair ... plaited ... into small black braids under a high tiara culminating in a square shape. She is a daughter of a high dignitary ... as though a prince ... but not pharaoh. She lives in a huge stone palace. The courtyard of this palace is landscaped with trees and bushes. In the center there is a stone pool with a fountain. The princess has a husband. I can see him too. He is slender ... wears black sandals made as though from wood. His garments are white fabric.

He has no tiara on his head ... and braids fall down on both sides of his face. Precisely ... they are not ... braids, but a great many smaller braids. On his forehead a head band either soft or rigid … golden.

'She dies during childbirth ... in great suffering. The child died also. I see now ... they are taking her body out on a stretcher. The stretcher is gilded. They are carrying her to some house by the river. That's where embalming takes place. Ah! This is interesting. They are taking out the intestines ... taking the brain out, using some long implements ... through the nose. They rub the body with oils and continuously sprinkle it with some powder. Now I see the funeral. Many people. Some people dressed in gray-black garb are walking in rows of six. They jump every so often. The husband and father are not present at the funeral ... they do not walk behind the coffin. They remain at home ... they are kneeling on the floor with heads down, covered with a shroud.

"`I see an opening in a rock and a corridor that leads deep inside. Further there are steps leading down. At the end of the corridor there is a fair-sized chamber hewn out of the rock. That's where they place the coffin with the corpse. Nearby they arrange various objects of daily use ... and food ... on terra cotta plates. Rice, wine, berries, resins ... something else. All these things were brought in leather sacks.

"`I see a black urn. Something is being burned there. That's the entrails of the embalmed person. They are being burned here on the spot ... next to her. All the group around the urn pray. Husband and father are not here. They stayed at the house. All in the tomb now pray and cry. I see some women who are hired mourners. They weep. They wear long veils and black garments. Now everyone files out, their arms crossed on their chests. I see the entrance of the chamber walled over and again another wall erected at the turn of the corridor ... and yet a third one at the end ... near the exit. The exit is blocked with huge rocks and filled with soil.

"`All this is happening quite far from the big pyramid and the Sphinx ... near some mountain on which I observe carved bas-

reliefs....'

"With those words we interrupted the experiment," concluded Balcer. He had noticed that the "glow" he had seen on Ossowiecki's face at the beginning of the session had faded and the man seemed slumped in exhaustion as if caught and mesmerized by what he was seeing. It took more than fifteen minutes for the psychic to become fully and normally conscious, and then only after drinking a glass of wine. Even after he was again alert no one said very much for a while. It was obvious to everyone present, and particularly to Ossowiecki and Balcer, that they had touched something far beyond their ability to explore. To each observer, the experience, even though shared secondhand, was so immediate and profound that frivolous conversation was no more appropriate than it would have been in a cathedral—or a forest.

Ossowiecki, although interested in doing experiments about the past, knew virtually nothing about ancient history, let alone the epochs of prehistory; Balcer's position was much the same. It was decided that they needed to consult with a specialist, but neither man knew an archaeologist or ethnologist who was also interested in the psychic. The problem was shelved for the moment, however, since in prewar Warsaw those who could do so left for the country or to travel when the warm weather began. Social life ended sometime in March or early April, not to resume again until September. It was agreed between Ossowiecki and Balcer that they would try to find a prehistorian in the hope of making further experiments during the coming fall season.

As if in preparation for this, sometime during the spring or summer of 1935 Ossowiecki ended what had been his major business connection for almost fifteen years. As a result he was no longer compelled to travel large portions of the year as he had done since the 1920s. But this was only one of several seemingly unrelated events that, taken together, marked the end of an epoch in the psychic's life. Before the year was over his great friend Professor Richet would be dead in Paris at the age of eighty-five. The other parapsychologists who had been studying Ossowiecki since 1920 turned to other work, retired, or also died. Their research, which had involved classic tests to see whether his psychic talents were genuine, had established that they were, and so was finished. It was the end of another fifteen-year cycle and, with one or two minor exceptions, Ossowiecki would never again perform an experiment that did not have a practical purpose.

Secret Vaults of Time

S. A. Schwartz

Thursday, March 21, 2024

Poniatowski & Ossowiecki - The psychic archaeology

 Exactly how Ossowiecki met the man who would become the scientist half of the best psychic archaeological team in history is now unknown. Perhaps Balcer introduced them. It is clear, however, that they knew each other by March 1936.

Stanislaw Poniatowski was fifty-two, seven years younger than the psychic, and since this was to be his major work for the remainder of his life, it was almost as if he had come to Warsaw for just these experiments. After eighteen years as a professor of ethnology at Wolna Wszechnica (University) he had suddenly accepted the same post at the University of Warsaw in 1934.

From a collateral branch of one of Poland's oldest and noblest families, he was named for Prince Joseph Poniatowski, one of Napoleon's most brilliant generals. Stanislaw Poniatowski had added luster to an already illustrious family name. (Strangely, it had been Prince Poniatowski's statue that Ossowiecki had gone to see in Homel the day he met Wrobel.) He was considered by many to be the most eminent ethnologist in Poland at that time, and was acknowledged as the founder of the cultural-historical school of Polish ethnology. But as important as his impeccable scholarship was his interest in psychic archaeology. "The possibility of a clairvoyant look at a prehistoric time [had] appeared to me as highly enticing ... as an ethnologist I was very interested in discovering if and what links exist between the most primitive and uncivilized contemporary societies and their counterparts in the oldest prehistoric cultures." Forty years later this study by analogy is still a major anthropological approach.

Nor had Poniatowski's interest been merely idle. He had been actively searching for "an appropriate clairvoyant," and had meticulously worked out the experimental protocol he would follow should his search be successful, concluding that the correct approach was multiple experiments by a psychic-archaeological team. His plan called for one major clairvoyant to serve as a baseline "and somewhere upward of ten other clairvoyants" as cross-checks. Indeed, Poniatowski's work is the model of how psychic archaeology should be practiced. Contained within his method were checks against any bias a psychic might have, as well as consideration for the limitations of his source. All the complexities that plague practical psychic research were fully thought through and compensated for, and amazingly, this had all been done before Poniatowski had completed even one experiment with Ossowiecki or anybody else.

Poniatowski immediately recognized that he had finally found "an appropriate clairvoyant" in Ossowiecki. The latter was equally enthusiastic, very possibly because he had been expecting such a meeting and knew what the consequences could be. In 1937, a year after they began to work together, Ossowiecki told Ms. Zawadzka of the journal Goniec Warszawski that Wrobel to that date had described his life "to the smallest fragment." Thus, while he may not have known the specific researcher's name, he had anticipated this final research.

At their first meeting it was agreed that the work should begin immediately. The first session was set for April 23, and on that appointed Thursday evening, a small group called at Ossowiecki's  flat, at number 32 Polna Street. The scene was described by Ms. Zawadzka.

"Entrance. A hall or a waiting room. Attention focuses first on a white statue of Christ standing in the window. The figure's outstretched hand is raised in benediction.

"On the wall are lithographs of the Creator awakening the world from chaos. High gothic chairs complement the interior.... In the large, light study a collection of memorabilia personal and inherited from the family.... Several important paintings and many photographs signed by famous people. There are two huge, potted fig trees and among them, flying freely, several birds. Always open cages are their nests. They go in and out at will and often sleep in the branches of the trees. The gray nightingale is so tame that he comes over at the sound of Mr. Ossowiecki's voice. When the man is silent, working at his desk, the bird sits on the back rest of the chair and sings.

"The most interesting room, however, is the small salon—the favorite place of the clairvoyant. It is here that most of his experiments take place. It is truly his home.

"There is a wide day bed covered with a Persian rug; low Eastern coffee tables and exotic paraphernalia [a recreation of Wrobel's study?]. Each fragment displayed on the walls is connected with some experiment of the clairvoyant. Over the door a gold statuette of the Chinese deity Cian-Fu; next, a Japanese Christian Madonna; a silk tapestry in a Japanese frame; drawings by the anthroposophist [Rudolf] Steiner; a fragment of the fabric with which the face of Dabrowka* was covered in the coffin—a gift from Bishop Lanbnitz; a letter from the current Pope when he was still a nuncio; an authentic letter from General [Tadeusz Andrzej] Kosciuszko [who fought in the American Revolutionary War] to General Dabrowski; a fragment from the original manuscript of Quo Vadis [by Nobel Laureate Henryk Sienkiewicz].... In a word, a small museum." This was the description of the launch site for sixteen ventures along the uncharted river of time.

Included in the group, along with Poniatowski and Balcer, were Michael Kamienski, professor of astronomy and director of the Astronomical Observatory, University of Warsaw, whose work in celestial mechanics had brought him world fame; Jan Lukasiewicz, one of the most emminent mathematicians and logicians of the century; Stefan Manczarski, world class geophysicist; and Witold Henser, one of Poland's leading archaeologists. They were not there by chance or out of curiosity. It was a basic premise of Poniatowski's approach to psychic archaeology that the research should always be interdisciplinary.

Consequently, for the entire two-part sequence of thirty-three experiments men and women of world stature were present; each was invited to provide commentary on the results of questions Poniatowski planned to put to Ossowiecki in matters concerning their specialties. This list, in fact, is one of the more remarkable things about this unique research project. At a time when Dr. J. B. Rhine and his wife Dr. Louisa Rhine in the United States were finding it difficult to get American scientists to take their parapsychological research seriously, Professor Poniatowski established an advisory and support group seventy-five percent of whose membership is still to be found listed in encyclopedias. This is no absolute judgment on the character and quality of the experiments, certainly, but it is doubtful whether any other research program in the twentieth century—except perhaps the Manhattan Project—could make a similar claim.

At about 9:30 in the evening, after an early dinner, the group moved to Ossowiecki's salon. Once settled, Poniatowski explained the procedure he would follow. Mostly this was for Ossowiecki's benefit, since he was totally ignorant of what would be happening. The professor said that the psychic would be told nothing about the guide object, would not even see it until it was handed to him. Nor would he be told what culture had produced it or where it had been found. All the experiments would be conducted in exactly the same way and every attempt would be made to keep conditions as uniform as possible. Ossowiccki was told that Certain controls had been built into the research series, but their exact nature was not explained. He was asked not to read any material dealing with archaeology or ethnology. He was then asked what conditions he wished the observers to meet. He said only that he preferred that they maintain a light conversation on some subject other than the experiment or the object, and that they not stare at him or do anything to make him feel conspicuous. Those present agreed to comply with this request insofar as they were able. Poniatowski then asked if Ossowiecki could take questions while giving the reading. Ossowiecki said he thought so, he would try. Finally it was agreed that Balcer, Kamienski, Kosieradzki, and particularly Stefan Radlinski would help Poniatowski maintain a complete and accurate record of what took place, and that each person present would agree to its correctness before leaving the room. (In fact, Poniatowski's reports are works of art. Artifacts are listed according to museum number, culture, and site, as well as description. The names of all present are given, as well as the location and the exact time the artifact was handed to Ossowiecki. There are notations as to how long it took him to begin and how long he spoke, what gestures he used, how he felt, and even the expressions on his face. Often there is a postexperiment commentary consisting of statements made by observers, and a final wrap-up by Poniatowski in which he reviews Ossowiecki's major statements and their validity, as well as any controls invoked.)

By the time the discussion ended, it was 10:15 and Poniatowski took from his pocket and handed to Ossowiecki a small flint tool he knew to be about ten thousand years old. After almost twenty minutes of concentration, Ossowiecki began with the words:

"Thick, thick forest ... such a strange forest, black leaves, such dark color ... vast distances ... yonder there are places where there is no forest, clearings, and on them mushroomlike squat houses made of twigs, smeared with clay. I see them well in this moment."

He then went on to give a detailed description of a microlithic culture, its people, and customs, answering questions, all put to him by Poniatowski, although some seem to have been suggested by other observers. Fifty-seven minutes later he stopped, complaining of tiredness and "a weight in my head." After he recovered, Ossowiecki offered a few other remembered impressions and then Poniatowski solemnly went around the room asking for comments; only two major thoughts emerged and they were held in common.

First, there was general agreement that Ossowiecki's vision was accurate, at least to the degree that reconstructions are ever testable. Second, the use of questions was considered a major breakthrough of great importance to the project.

This business of questions seems so obvious an approach today that it is easy to overlook the fact that Poniatowski's scheme of asking for elaborations on an unclear point, or for a shift in focus to something he considered more significant, was unprecedented. Previously Ossowiecki and clairvoyants like him were given a question or questions at the very beginning of a session. They then responded until they felt the subject was exhausted. (This was essentially how Balcer had conducted the mummy's foot experiments.) Now Poniatowski had proved that it was possible to exert some control and to be selective. He had been handed a wondrous new telescope that he had learned could be pointed into the past and focused at will. Poniatowski would later discover that too many questions tended to cause confusion, but once he had found the balance, the question-and-answer format became a major tool.

Two weeks later, on May 7, the same group met again at Ossowiecki's apartment, and after discussing the first session, a second was begun, this time using a stone club. The first artifact had been one from Poniatowski's personal collection. After the second session almost every guide object was to come from the museum named for and founded by Professor Erazm Majewski.

This was yet another part of Poniatowski's careful plan: using diverse objects from a uniform and academically accepted source. Stone tools, or lithics, as they are more properly known, comprise a subtle and complex branch of archaeology. It is difficult for even a general archaeologist to tell whether these stones are naturally formed or man-altered, and that task is an easy one compared with dating and assigning these artifacts to their proper culture. Even today, forty years after Poniatowski's research, when archaeology is far more sophisticated, only a few men and women are acknowledged to be experts by the discipline as a whole. Poniatowski was not such a person, so he believed it was important that the artifacts to be used be precertified. In this way he felt he had a reasonable, traditionally developed baseline against which to measure Ossowiecki's reconstructions.

Having done two successful experiments, thus establishing both the validity of the concept and the usefulness of his experimental protocol, Poniatowski next resolved to attempt something so awesome that even four decades later it sounds preposterous. On July 24, 1933, Dr. Berckhemer, the chief curator of the Natural History Museum in Wurttemberg, Germany, received a call from an acquaintance, a Mr. Sigrist, who owned a gravel pit near the town of Steinheim on the Mur. It was not the first time he had called, and Berckhemer anticipated the message as soon as he heard the name: Sigrist, he felt sure, had discovered something in his pit that he thought the scholar might find interesting. All the same, he was surprised at the agitation in the man's voice, until he heard what he had to say: an almost complete human skull had been found very deep in the pit!

It was in this manner that Steinheim man entered history. Two years later, in 1935, an English dentist who was an an amateur archaeologist, Dr. Alvan Theophilus Marston, was to discover a more fragmented but similar skull situated in the midst of some six hundred extremely primitive stone tools near the town of Swanscombe in England. The lithics at Swanscombe were identified as Acheulean; the gravel beds and the remains of two extinct animals found in proximity to the Steinheim skull dated it to the same epoch, the third interglacial period. As German writer Herbert Wendt notes in his book In Search of Adam, the two skulls looked like nothing so much as those of "a female chimpanzee." Yet their cranial capacity and certain other features established that they were unquestionably Homo sapiens, approximately twice as old as Neanderthal man and yet more modern in appearance. To this day they remain both anomalous and among the oldest remains of modern man discovered in Europe. At the time they were found, within the academic circles that concern themselves with such things, they were a sensation. To Poniatowski, the challenge was irresistible. He was interested in very primitive man, the people of the Pleistocene Age. Now with two discoveries that confirmed each other he had some idea of what an anomalous variation that man must have looked like. He also had a stone club from the Majewski Museum certified by lithic specialists as having come from one of the best Acheulean sites, Abbeville in France. With this to validate what Ossowiecki might say, he wondered if contact with a past so distant could be achieved. Could a psychic travel back in time almost three hundred thousand years?

The third experiment on May 21 was designed to discover just that:

"God how far.... They are very curious people ... small people ...not big heads and huge in the back," Ossowiecki said showing the shape of the head with his hands. "Hair matted ... falling down, it hangs [on the sides of the cheeks—Poniatowski]. Very different types. Height 150-160 cm. [approx. 4 feet 9 inches to 5 feet 2 inches] ... they are terrifically muscular ... nude ... skin ... dark … like light chocolate … so dark. Women very well developed, fat.... Hair long, falling down ... chins forward inclined, thin beards, eyes black, dark brown.... Noses very broad ... hips thick, forehead low, eyes wide open ... dark eyes. Women very ugly ... not pretty. Ears protrude some..."

The words poured out, a rambling near-monologue by a man whose speech was alternately enthusiastic and quizzical, like a person telling a long and complicated anecdote. There was no trance, nothing occult. Ossowiecki was obviously alert; he asked for paper and pencil with which to draw pictures of animals, houses, and people of the past, even stopping the narrative to give instructions to his maid when she came into the room. And yet, those present had the inescapable feeling that it was they who were unreal and dreamlike and this band of small dark naked ancestors that was solid and alive. Ossowiecki, surrounded by the accoutrements of a twentieth- century European parlor, gave the unmistakable impression of easily and casually looking on a scene three hundred thousand years old. His eyes were open and seemed to be moving back and forth as he followed this scene, actually seeing it. Indeed, very possibly on this occasion, and certainly on others, Poniatowski suddenly but quietly put a screen in front of Ossowiecki and the psychic complained that "his vision had been blocked."

Even stranger was the meaning of the words; as Poniatowski heard them, he knew that they made sense. More important, Ossowiecki's description passed another of his tests. He had never seen psychic archaeology as a new and independent science; rather, he believed it offered a new technique—one that would add to and complement more traditional approaches. Consequently, it was his conviction that a primary test of psychic data would be whether they supported solidly based orthodox observations on the same culture. And that was exactly what he was hearing. Of course, much of the psychic reconstruction was uncheckable. No artifact or bone, for instance, could reveal the skin color of early Homo sapiens, nor could Ossowiecki's statement that the women were wearing some kind of feather ankle bracelets be proved or refuted. But where orthodox data did exist, Ossowiecki's words were in agreement—the shape of the skull, for example. Ossowiecki's description would make even better sense to Poniatowski after he had done some further research on his own. The description of this early form of man, however, was just a start. Experiment three had much more to reveal.

To begin with, almost with his first words of the evening Ossowiecki had said, "This stone has a double history." He then suddenly began talking about another people: "Their skin is whiter beyond comparison. Their heads are different, not elongated here, letter-spacing:.55pt'>broader jaws, broader. Black hair, brown hair's already here. Many people. Faces nicer, less savage. The noses not so broad ... different people. The people are white ... they are whiter than the others ... they are more the color of brick, a bit, just a bit ... they are dressed ... have some fabric? ... something—I don't understand."A third culture emerged during the course of the evening, a people Ossowiecki merely described as "smaller." By the time he had finished, the stone's entire history of association with man was laid out for Poniatowski and the others. At various times the rock in an unaltered state had served as part of a hearth ring, a portion of the doorway to a primitive stone house, and, after being worked by man, a weapon.

In trying to sort the material out Poniatowski inadvertently arranged both an unplanned test of the information's accuracy and an experimental control. Seeking to clarify the various cultures, he asked Ossowiecki, in reference to the geography of the site, "Is there water?" The psychic, after looking around, said, "There is water on the right side. Flows fast, it's a stream." Later, during the description of what appears to be the most modern epoch, Poniatowskiasked, "Is the locale the same as before?" To this Ossowiecki answered, "The locale is the same. I recognize it. But it is greatly changed.... Now I'll tell you something interesting ... I see water, waves. Is this possible? I see the ocean ... I'm closer to Belgium [millennia before such a nation existed, of course] ... France.... Now I recognize this map. I see the peninsula of Normandy... . Need to go ... I'm departing ... countryside ... forest ... mountains ... mass of water ... huge waves, powerful, massive...."

Upon returning to the present time two hours and ten minutes after he had begun (this was the longest session he would ever do), Ossowiecki was told by his friend that experiment three had contained much that seemed accurate, although it was confusing sometimes as to which time went with which people. But Poniatowski said there had also been a major error. The prehistoric settlement whose people had used the stone as a weapon could not have been near the ocean, for the site where the stone had been found was in the central portion of southern France. Ossowiecki listened carefully but "with complete conviction ... that [the site] had to be on the shores of France between Belgium and Normandy." The following day Poniatowski checked. He was chagrined to learn that Abbeville was not in the French interior; it was on an "estuary of the River Somme to La Manche canal," easily within sight of the ocean. Ossowiecki had been correct! Now Poniatowski began to realize that he had been handed the keys to time's cabinet.

There would be nine experiments that first year, the greatest number in one year during the prewar period, and, just as Poniatowski had planned, the format never varied. Indeed, the only inconsistency in the entire sequence of sixteen sessions was the fact that in 1936 experiments were held in the spring and summer. Thereafter Poniatowski and Ossowiecki worked together only in the fall, when Warsaw's social life was at its height. It was a wonderfully gentle time and Andrew Norwina-Sapinski, who translated the Poniatowski research for the author in 1976, remembered it well:

"Prior to World War II the social pulse of Warsaw at the level Ossowiecki and Poniatowski occupied beat most strongly in the late hours. I remember my parents going out and receiving visitors until midnight ... on week nights. Shops were open and people promenaded down main street and sat in Kawiarnia's ... a kind of elegant super-coffee house. Warsaw smelled of fresh fruit and flowers because the shops that sold them displayed much of their merchandise outside their door front. In the early hours, while people still walked and talked, the streets were washed clean by water trucks and then their black-wet surfaces mirrored the neon lights. It was a lovely city. Full of life."

Only two things rippled this placid surface. In the fall of 1937 Ossowiecki became concerned enough about what he perceived as Europe's coming instability to give a series of lectures at universities in Warsaw, Poznan, and Lwow. He called these talks "Psychic Crisis and the Future of Mankind," but exactly what he said has been lost. It is known, however, that he decided to publish the talks in a somewhat different form, seeing this second book as the culmination of an earlier volume, The World of My Spirit and Visions of the Future,>which had been published in 1933 from an "inception of pain" with the purpose of showing people "the way to overcome spiritual suffering." Particularly it reflected Ossowiecki's concern with technology run rampant without moral control.

The second and more immediately frightening event took place on October 21, 1938, during experiment fourteen, the first one of that year.

The reading, for a culture identified only as Mezynska, had begun routinely enough at 10:07 P.M. at Ossowiecki's apartment, and had described for some time an extremely ancient and primitive people whose settlement the psychic had correctly located between Spain and the Italian peninsula.

Suddenly as the session seemed to be coming to a close, Ossowiecki became very agitated. "I cannot get out of here," he said, and then, almost against his will, began to describe a couple of these pre-Homo sapiens making love.

"I see him. They sit now. He makes advances to her. Takes her breasts and pulls to himself ... he moves around her to and fro. She jumps and sits next to him. He begins ... there are no kisses. With her hand he covers his face. She strokes his neck, back ... he lies down.... She sits on him equestrian style. She sits still, looking into his eyes. Now she jumps up, jumps up .... She traces with her nose along his nose, around his face. He embraces her with his whole strength ... she is active, not he ... she jumps up again, so …  she is washing his member with water, covers it with green grass … now she goes to fetch water ... fabulous elasticity of body. … There are no normal movements, they are like monkeys." Again Ossowiecki cried out, "I cannot return."This time both he and the observers became uneasy.

Unable to stop, the psychic continued, describing a zebralike animal. "Long ears. Several there are ... they graze near the house. Long tails, the end like thick gray brush. Rear white and from it toward the front darker. From spine white bands go to white belly. Huge ears, horns I do not see...."

Talking about the animals seemed to calm and release him. Then the man of the vision abruptly came into view again. "God how wild it is here ... savage ... they are like monkeys. The man is so hairy ... all are so hairy. Men's bodies are brownish, dark like fur. Hair on foreheads grows from bridge of nose." With the man's reentry some connection seemed reestablished for Ossowiecki. He yelled, "I can't get out of here!" and with those words dashed the stone-tool guide object to the floor. Even after he had returned to the world of the living, he still seemed to linger in the past and for another fifteen minutes felt as if the two realities had become confused and that he was alternating between them.

From the beginning the psychic and the scientist had realized that these experiences with prehistory were taking a toll on Ossowiecki. All too often he would end them saying he felt tired or had a headache. He also felt that doing such work "took phosphorus from my body." These were problems, however, they both were prepared to accept. But it apparently had never occurred to them that there might be far more dangerous factors involved in what Ossowiecki was doing. What had caused his entrapment they never knew. Possibly with a normal healthy man's curiosity he had become too interested in watching a couple make love hundreds of millennia ago. Or perhaps the explanation lay not in Ossowiecki but in the people he was watching, whose psychic energy generated a kind of whirlpool into which he was dragged. (What other event in human life is as intensely and singularly focused as a sexual act and its climax?) Such explanations can, of course, be dismissed with amused condescension as occult pseudoscience, but Ossowiecki did appear to be trapped and was observed in this state by men of unquestioned probity and considerable attainment in science.

Whatever the reason for Ossowiecki's seeming inability to shift his point of view, it had frightened everyone present. The complacency with which the session had begun was shattered; all now knew that psychic archaeology was not a simple process and that they were far from understanding it. One practical solution, however, emerged from the experience: Poniatowski concluded that his attitudes and state of mind had an effect on the experimental dynamics (something scientists rarely admit). He realized that he too had become entrapped because of his fascination with what Ossowiecki was describing, and in doing so,had relinquished some of his control over what was happening. In his superconscious state it was clear that Ossowiecki was vulnerable, pulled along by currents he only partially ruled. Poniatowski concluded that he himself would have to stay "awake" and avoid also being seduced into too intense a concentration. After the fourteenth experiment whenever Ossowiecki seemed to become too exclusively focused on a single scene, Poniatowski would draw him away by asking questions about some other topic. There were a few tense moments, but never again did the incident that had marred the fourteenth session repeat itself. Tiredness became an ever-increasing problem, but the remainder of the thirty-three experiments went off without tripping another psychic deadfall.

By February 24, 1939, fifteen psychometric contacts with eleven different cultures had been accomplished (since several guide objects were from very obscure Polish sites it is possible that the number is greater or smaller by perhaps one or two). The final (sixteenth) session in February was a distinct variation from the regimen. There were two good reasons for this early-spring variance in scheduling.

Poniatowski wanted to round off this first cycle of research with Ossowiecki by getting a reading on the relatively recent Magdalenian culture (approx. 15,000-10,000 B.C.) of the Stone Age. Then, in accordance with his plan, he wanted to try the same selection of artifacts with different sensitives, in this way assuring a psychic cross-check as well as an orthodox one. Unfortunately, he was able to find only one other clairvoyant who seemed to have the necessary skills, a professional commercial psychic he identified only as Mrs. S. Ch. After three sessions, however, he concluded that further work with her was useless. Although she had a twenty-year reputation as a gifted clairvoyant, he found her descriptions "muddy and devoid of originality." He even discreetly implied that she had read up on prehistory and filled in what she could not get psychically by regurgitating what she remembered of this cramming. The experience taught him a powerful lesson: " ... professional [i.e. commercial] sensitives ... can easily lead an uncritical researcher to error."

Secret Vaults of Time

Stephen Schwartz